BEHRINGER - MIDI FOOT CONTROLLER FCB1010

BEHRINGER - MIDI FOOT CONTROLLER FCB1010.
MIDIfy your feet.

The FCB1010 MIDI foot controller and sound switching system is designed not only to satisfy the needs of ambitious guitarists, but of keyboard players as well. The FCB1010 complements the BEHRINGER V-AMP 2 virtual guitar amplifier and a vast range of BEHRINGER guitar amplifiers or any other MIDI equipment. The new FCB1010 firmware Version 2.3 features extended third-party compatibility and improved bank select messages. It allows remote control of all V-AMP 2 functions and can be downloaded free of charge from the BEHRINGER website.

FCB1010 rear panel

FCB1010 Alternative View
(Click to enlarge images)

No matter what you play, or even if you're an engineer with a MIDI arsenal, you'll appreciate the way our FCB1010 helps you get the most out of your gear without tying up your hands or slowing down your performance. On top of its impressive MIDI functions, it gives you 2 jacks for analog switching and rugged, road-proof construction.


Features

• 10 banks with 10 user-editable presets each
• Two expression pedals with freely assignable MIDI channel, controller number and range
• Five MIDI program change and two MIDI controller commands per preset (simultaneously transmittable)
• MIDI note-on commands transmittable for trigger and tap-tempo applications
• Two programmable relay-controlled switch jacks, e.g. for amp channel selection
• MIDI merge and sysex backup functions
• Easily programmable in a standing position
• Integrated power supply—no messy AC adapters

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BEHRINGER - EURODESK SX2442FX

BEHRINGER - EURODESK SX2442FX
24-Channel Analog Mixer With 16 XENYX Mic Preamps and 99 Digital Effect Presets


The EURODESK SX2442FX is designed to meet the needs of studio and live mixing applications, with a comprehensive set of features that combine sonic excellence and a full complement of mixing & sound modification tools. the EURODESK SX2442FX has twenty-four channel and the other is EURODESK SX3242FX has thirty-two channel mixers with more channel

Each four-bus mixer features ultra-low noise, high-headroom XENYX microphone preamps. Mono input channels feature three-band, semi-parametric mid-range EQ with Neo-classic "British" response. Stereo input channels provide precise four-band equalization. Each input has four aux sends; with two sends switchable between pre/post fader, for a flexible mix of monitor and effects applications.

SX2442FX has two integrated effects processors and stereo 9-band graphic EQ. One-hundred 24-bit / 96kHz studio-quality effects presets can be called-up and assigned to one or both internal effects buses. Main or Monitor output EQ is set and fine-tuned with the intuitive FBQ Feedback Detection display.

When external signal processor is needed, the SX3242FX provides extensive insert patch-points for input channels and main outputs. The Master section offers a wealth of features such as multiple aux and stereo returns, switchable SIP / PFL monitoring, Talkback, metering and more.

An internal auto-ranging power supply (100 240V), gold-plated XLR output connectors and rugged steel construction ensure that the SX Series consoles will travel anywhere to tackle any recording or mixing task, with pristine audio quality and a minimum of external gear.

SX2442FX Top Panel

SX2442FX Alternative View
(Click to enlarge images)

***

If you want classic analog handling but can't skimp on superior digital effects and studio-grade mic preamps, the SX2442FX is your new best friend. This mixer's 16 mic inputs, 8 stereo inputs and 4 buses give you enough leeway to handle anything from a graduation speech to a small orchestra.

The XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps.

Our neo-classic“British EQ”brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history.

The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor. Get 100 real-world and awesome effect presets at your fingertips.

Classic control, state-of-the-art sound

Each of the SX2442FX's 16 mic inputs connects to our world-famous, studio-grade XENYX mic preamps. They are legendary for their high headroom, warm natural timbre and utter lack of background noise. Plug in a large-diaphragm condenser mic and track a vocal to hear XENYX’s rich detail and spaciousness. Plug in a dynamic mic and stick it inside a bass drum to appreciate the whopping headroom.


You may experience side-FX…

Whether you need to add a dab of reverb or delay to a live vocalist's mic or warp a hard day's studio session into psychedelic quicksand, the SX2442FX has you covered. We gave this mixer two independent studio-grade 24-bit stereo FX processors with 99 awesome presets to provide the perfect sonic garnish. “Sure they’re great for live sound, but I have a lot of cool plug-ins for recording,” we can hear some of you saying. Truth be told, you never have too many effects. And when you hear the quality of the SX2442FX’s FX, you may want to give your overworked CPU a rest.

Naturally we gave you a whole palette of creative effects like reverb, chorus, flanger, delay and pitch shifter tones, as well as mind-bending multi-effects to take your sound out of this world. But you also get problem solving workhorses like compression and gating plus final effects such as Ultramizer, Ultrabass and Exciter that can put a PA or studio mix over the top. And because there are two processors, you can cue two separate effects, then apply one or both to channels 1 through 20 — compression for the vocalist, reverb for the vocalist and snare drum, for example.


What the heck is “British EQ”?

A good thing to have on your side when you start reaching for those channel equalization knobs. At a live concert or in the studio.

Think of it as kinder, gentler, more musical EQ like the type found on classic British consoles from the 60’s and 70’s. Single malt scotch instead of Everclear. Home-baked cherry cobbler instead of an artificial cherry lollypop.

British EQ’s distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled.

All SX2442FX mono channels have low and high shelving plus a sweepable “midrange” you can move anywhere from 100Hz to 8kHz. Think of it as your roving English troubleshooter.


Kill feedback before it maims your audience.


When it comes to suppressing feedback, the SX2442FX is like having a bloodhound trained to spot trouble frequencies a mile away.

The 9-band graphic EQ (which you can choose to apply to your main mix or monitor mix via the MAIN/AUX1 button) features the FBQ Feedback Detection system. It makes finding and adjusting critical frequencies a snap. Just push FBQ IN, then watch as LEDs on the individual EQ sliders light up, indicating which frequency bands are causing feedback. Simply adjust until the LED goes dim.


The Ins and Outs


Some manufacturers make what they call 24-input mixers that count stuff like CD/TAPE IN as an input. But the SX2442FX really gives you sixteen honest mono channels plus eight stereo channels, making it easy to accommodate a variety of studio or live performance configurations. You can connect up to 16 microphones or other mono instruments and up to four stereo instruments (keyboards or tone modules, for example).

You can combine these input in four different sub-mixes (we call them buses). That allows you to blend multiple channels—say all the mics on a drum kit or all the backup singers' mics—to a single fader, which is easier to adjust for the overall mix that goes to the PA speakers. You can also use one or more of the sub-mix buses to create custom monitor mixes for picky members of your band (“More me! More me!”).


A zillion ways to change the channel

At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a ¼" input. A phantom power switch located on the back near the main power switch accommodates condenser mics.
Next comes is an insert for connecting up individual signal processors or feeding a remote broadcast feed or multitrack recorder directly.
Trim control and level set LED let you adjust the channel’s input level for maximum headroom and minimum noise — the huge range of this control can handle anything from a very timid vocalist to a close-miked guitar amp stack.

Each mono channel features a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED.
A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling, P-pops or wind noise occur.
FX1 and FX2 dials add a blend of up to two effects, and AUX1 and AUX2 dials help create your monitor mix. Press the PRE button to send a raw, EQ-free signal to the monitors.

Near every mono channel's fader you'll find a 1-2, 3-4 and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the 3-4 button.

A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listen—depending on whether the signal has been included in a subgroup.
Instead of XLR inputs, stereo channels 17-24 have left and right balanced/unbalanced line level inputs. Channels 17-20 feature the same controls as the mono channels, but with a four-band EQ that gives you control of HIGH, HIGH MID, LOW MID and LOW. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals.

Stereo channels 21 through 24, designed for signals that do not require EQ, have a simplified interface consisting of a Level, AUX1 and AUX2 dial. Can you say laptop backing track feeds, drum machines, tone modules, DJ mixers or CD players?



Finally, all four sub-mix buses feature an independent fader (naturally), Solo switch with bright LED, and assign buttons for routing them to Left or Right stereo channels.


Packed with tasty details that make your creative life easier.

• We solved the problem of what to do when you want to play music during breaks but don’t want to have to mute every channel or turn down every fader. Just push CD/Tape STANDBY button to A) mute all mixer channels and B) solo just your CD/Tape source.
• We didn’t just give you a MONO output for subwoofers. We gave it a built-in variable low pass crossover, saving you money on outboard gear.
• We added a footswitch jack that you can use to control either internal or external effects.
• We gave you a complete Phones and Control Room assignment matrix so you can send mains, buses, CD/Tape or auxes out at the touch of a button.
• We added a routing button to Talkback so you can talk directly to either a monitor mix or the house mix for public announcements.
• We made the 9-band equalizer assignable to either AUX 1 or the main mix.

Take On The World

Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're 5,000 miles from home. With the SX2442FX, this is never an issue. The internal autorange power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption.


Teach your great grandkids how to run it.

BEHRINGER mixers last and last. We use top quality parts such as long-wear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy load-ins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night.


Why do you need this mixer?

• Built-in pristine XENYX mic preamps
• Dual 24-bit FX processor with 99 presets including reverb, chorus, flanger, delay and pitch shifter tones
• British-style EQ dials give you the sound and control preferred by top studio engineers
• The built-in FBQ Feedback Detection system instantly reveals critical frequencies and the 9-band stereo graphic EQ allows precise correction of those frequencies in monitor or main mixes
• Awesomely complete I/O – everything from bus inserts to mono output

Finally, “And now for something completely similar.”

If you’ve read this and loved everything about the SX2442FX except the number of input channels, we have good news for you. It has a big brother, the SX3242! Eight more mono channels. Eight more superb XENYX mic preamps.

And of course every other feature you’ve just read about. See both models at your BEHRINGER Dealer today.

Effects List

PARALLEL EFFECTS :
Cathedral (01-02)	---	Very dense and long reverberation of a large cathedral
Plate (03-04)	---	Simulates early plate reverb
Concert (05-06)	---	Simulates a small theater or large concert hall
Stage (07-08)	---	Very dense reverb, especially for live applications
Room (09-10)	---	Simulates room's wall reverb. This particular room has two windows and yellow wallpaper
Studio (11-12)	---	Adds spaciousness to the sound
Small Hall (13-14)	---	Simulates hallway reverberation
Ambience (15-16)	---	Simulates the reverb of a middle-sized room without late reflections
Early Reflections (17)	---	Dense reverb with pronounced early reflections
Spring Reverb (19-20)	---	Simulates spring reverb
Gated Reverb (21-22)	---	Reverb that’s synthetically cut off
Reverse Reverb (23-24)	---	Reverb that slowly gets louder
Chorus (25-30)	---	Slight detuning of the original signal
Flanger (31-35)	---	A delayed signal is added to the original signal, causing a phase shift
Phaser (36-39)	---	Another phase-shift effect
Rotary Speaker (40-42)	---	Simulation of a rotating electronic organ speaker
Delay (43-52)	---	Delay of the input signal with repetitions
Chorus & Reverb (53-54)	---	Combination of chorus and reverb
Flanger & Reverb (55-56)	---	Flanger combined with reverb
Phaser & Reverb (57-58)	---	Phaser combined with reverb
Rotary Speaker & Reverb (59-60)	---	Rotary Speaker effect combined with Reverb
Delay & Reverb (61-63)	---	Delay combined with Reverb
Delay & Chorus (64-67)	---	Widens the signals and produces repetition effects
Delay & Flanger (68-70)	---	Similar to Delay & Chorus, but with audible up/downward modulation
INSERT EFFECTS :
Compressor (71-73)	---	Soft or loud passages are raised or lowered in level respectively
Expander (74-76)	---	Noise and hum is reduced in level
Gate (77-78)	---	A gate opens for a specific period of time to make a specific signal pass, then closes abruptly
Ultramizer (79-80)	---	Compression through automatic adaptation of compression parameters
Ultrabass (81-82)	---	Combines sub-harmonics processor, bass exciter, and limiter
Panner (83-85)	---	The signal "wanders" between the sides of the stereo basis
Exciter (86-88)	---	Adds synthetic harmonics to the signal, resulting in increased presence and "loudness"
Auto Filter (89-91)	---	Level-dependent boost of a specific frequency band, similar to auto-wah or electric guitars
Tube Distortion (92-93)	---	Simulates the tube distortion of classic guitar amplifiers
Guitar Amp (94-97)	---	Guitar amp simulation
Vinylizer (98)	---	Adds the clicks and noise of old vinyl records
Test Tone (99)	---	1-kHz test tone. Virtually indistinguishable from some genres of techno.

...

Read more!...[x]

BEHRINGER - EURODESK SX3242FX

BEHRINGER - EURODESK SX3242FX

The EURODESK SX3242FX series is designed to meet the needs of studio and live mixing applications, with a comprehensive set of features that combine sonic excellence and a full complement of mixing & sound modification tools.

Each four-bus mixer features ultra-low noise, high-headroom XENYX microphone preamps. Mono input channels feature three-band, semi-parametric mid-range EQ with Neo-classic "British" response. Stereo input channels provide precise four-band equalization. Each input has four aux sends; with two sends switchable between pre/post fader, for a flexible mix of monitor and effects applications.

SX3242FX has two integrated effects processors and stereo 9-band graphic EQ. One-hundred 24-bit / 96kHz studio-quality effects presets can be called-up and assigned to one or both internal effects buses. Main or Monitor output EQ is set and fine-tuned with the intuitive FBQ Feedback Detection display.

When external signal processor is needed, the SX3242FX provides extensive insert patch-points for input channels and main outputs. The Master section offers a wealth of features such as multiple aux and stereo returns, switchable SIP / PFL monitoring, Talkback, metering and more.

An internal auto-ranging power supply (100 240V), gold-plated XLR output connectors and rugged steel construction ensure that the SX Series consoles will travel anywhere to tackle any recording or mixing task, with pristine audio quality and a minimum of external gear.

SX3242FX Top Panel

SX3242FX Altenative View
(Click to enlarge images)

***

If you want classic analog handling but can't skimp on superior digital effects and studio-grade mic preamps, the SX3242FX is your new best friend. This mixer's 24 mic inputs, 8 stereo inputs and 4 buses give you enough leeway to handle anything from a graduation speech to a 5-piece band to a whole church service with praise band and choir.

The XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps.

Our neo-classic“British EQ”brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history.

The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor. Get 100 real-world and awesome effect presets at your fingertips.

Classic control, state-of-the-art sound
Each of the SX3242FX's 24 mic inputs connects to our world-famous, studio-grade XENYX mic preamps. They are legendary for their high headroom, warm natural timbre and utter lack of background noise. Plug in a large-diaphragm condenser mic and track a vocal to hear XENYX’s rich detail and spaciousness. Plug in a dynamic mic and stick it inside a bass drum to appreciate the whopping headroom.


You may experience side-FX…

Whether you need to add a dab of reverb or delay to a live vocalist's mic or warp a hard day's studio session into psychedelic quicksand, the SX3242FX has you covered. We gave this mixer two independent studio-grade 24-bit stereo FX processors with 99 awesome presets (see full list below) to provide the perfect sonic garnish. “Sure they’re great for live sound, but I have a lot of cool plug-ins for recording,” we can hear some of you saying. Truth be told, you never have too many effects. And when you hear the quality of the SX3242FX’s FX, you may want to give your overworked CPU a rest.
Naturally we gave you a whole palette of creative effects like reverb, chorus, flanger, delay and pitch shifter tones, as well as mind-bending multi-effects to take your sound out of this world. But you also get problem solving workhorses like compression and gating plus final effects such as Ultramizer, Ultrabass and Exciter that can put a PA or studio mix over the top. And because there are two processors, you can cue two separate effects, then apply one or both to channels 1 through 28 — compression for the vocalist, reverb for the vocalist and snare drum, for example.


What the heck is “British EQ”?

A good thing to have on your side when you start reaching for those channel equalization knobs. At a live concert or in the studio.
Think of it as kinder, gentler, more musical EQ like the type found on classic British consoles from the 60’s and 70’s. Single malt scotch instead of Everclear. Home-baked cherry cobbler instead of an artificial cherry lollypop.
British EQ’s distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled.
All SX3242FX mono channels have low and high shelving plus a sweepable “midrange” you can move anywhere from 100Hz to 8kHz. Think of it as your roving English troubleshooter.


Kill feedback before it maims your audience.


When it comes to suppressing feedback, the SX3242FX is like having a bloodhound trained to spot trouble frequencies a mile away.
The 9-band graphic EQ (which you can choose to apply to your main mix or monitor mix via the MAIN/AUX1 button) features the FBQ Feedback Detection system. It makes finding and adjusting critical frequencies a snap. Just push FBQ IN, then watch as LEDs on the individual EQ sliders light up, indicating which frequency bands are causing feedback. Simply adjust until the LED goes dim.


The Ins and Outs


Some manufacturers make what they call 32-input mixers that count stuff like CD/TAPE IN as an input. But the SX3242FX really gives you twenty-four honest mono channels plus eight stereo channels, making it easy to accommodate a variety of studio or live performance configurations. You can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards or tone modules, for example).
You can combine these input in four different sub-mixes (we call them buses). That allows you to blend multiple channels—say all the mics on a drum kit or all the backup singers' mics—to a single fader, which is easier to adjust for the overall mix that goes to the PA speakers. You can also use one or more of the sub-mix buses to create custom monitor mixes for picky members of your band (“More me! More me!”).


A zillion ways to change the channel

At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a ¼" input. A phantom power switch located on the back near the main power switch accommodates condenser mics.

Next comes is an insert for connecting up individual signal processors or feeding a remote broadcast feed or multitrack recorder directly.

Trim control and level set LED let you adjust the channel’s input level for maximum headroom and minimum noise — the huge range of this control can handle anything from a very timid vocalist to a close-miked guitar amp stack.

Each mono channel features a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED.

A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling, P-pops or wind noise occur.

FX1 and FX2 dials add a blend of up to two effects, and AUX1 and AUX2 dials help create your monitor mix. Press the PRE button to send a raw, EQ-free signal to the monitors. Near every mono channel's fader you'll find a 1-2, 3-4 and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the 3-4 button.

A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listen—depending on whether the signal has been included in a subgroup.
Instead of XLR inputs, stereo channels 25-32 have left and right balanced/unbalanced line level inputs. Channels 25-28 feature the same controls as the mono channels, but with a four-band EQ that gives you control of HIGH, HIGH MID, LOW MID and LOW. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals.

Stereo channels 29 through 32, designed for signals that do not require EQ, have a simplified interface consisting of a Level, AUX1 and AUX2 dial. Can you say laptop backing track feeds, drum machines, tone modules, DJ mixers or CD players?


Finally, all four sub-mix buses feature an independent fader (naturally), Solo switch with bright LED, and assign buttons for routing them to Left or Right stereo channels.


Packed with tasty details that make your creative life easier.

• We solved the problem of what to do when you want to play music during breaks but don’t want to have to mute every channel or turn down every fader. Just push CD/Tape STANDBY button to A) mute all mixer channels and B) solo just your CD/Tape source.
• We didn’t just give you a MONO output for subwoofers. We gave it a built-in variable low pass crossover, saving you money on outboard gear.
• We added a footswitch jack that you can use to control either internal or external effects.
• We gave you a complete Phones and Control Room assignment matrix so you can send mains, buses, CD/Tape or auxes out at the touch of a button.
• We added a routing button to Talkback so you can talk directly to either a monitor mix or the house mix for public announcements.
• We made the 9-band equalizer assignable to either AUX 1 or the main mix.

Take On The World

Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're 5,000 miles from home. With the SX3242FX, this is never an issue. The internal autorange power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption.


Teach your great grandkids how to run it.

BEHRINGER mixers last and last. We use top quality parts such as long-wear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy load-ins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night.


Why do you need this mixer?

• Built-in pristine XENYX mic preamps…LOTS of them
• Dual 24-bit FX processor with 99 presets including reverb, chorus, flanger, delay and pitch shifter tones
• British-style EQ dials give you the sound and control preferred by top studio engineers
• The built-in FBQ Feedback Detection system instantly reveals critical frequencies and the 9-band stereo graphic EQ allows precise correction of those frequencies in monitor or main mixes
• Awesomely complete I/O – everything from bus inserts to mono output

Finally, “And now for something completely similar.”

If you’ve read this and loved everything about the SX3242FX except it seemed like a bit too much mixer for your current needs, we have good news for you. It has a little brother, the SX2442! Sixteen mono channels each with superb XENYX mic preamps. And of course every other feature you’ve just read about. But in a smaller form factor and lower price. See both models at your BEHRINGER Dealer today.

EFFECT LIST

PARALLEL EFFECTS:
Cathedral (01-02)	---	Very dense and long reverberation of a large cathedral
Plate (03-04)	---	Simulates early plate reverb
Concert (05-06)	---	Simulates a small theater or large concert hall
Stage (07-08)	---	Very dense reverb, especially for live applications
Room (09-10)	---	Simulates room's wall reverb. This particular room has two windows and yellow wallpaper
Studio (11-12)	---	Adds spaciousness to the sound
Small Hall (13-14)	---	Simulates hallway reverberation
Ambience (15-16)	---	Simulates the reverb of a middle-sized room without late reflections
Early Reflections (17)	---	Dense reverb with pronounced early reflections
Spring Reverb (19-20)	---	Simulates spring reverb
Gated Reverb (21-22)	---	Reverb that’s synthetically cut off
Reverse Reverb (23-24)	---	Reverb that slowly gets louder
Chorus (25-30)	---	Slight detuning of the original signal
Flanger (31-35)	---	A delayed signal is added to the original signal, causing a phase shift
Phaser (36-39)	---	Another phase-shift effect
Rotary Speaker (40-42)	---	Simulation of a rotating electronic organ speaker
Delay (43-52)	---	Delay of the input signal with repetitions
Chorus & Reverb (53-54)	---	Combination of chorus and reverb
Flanger & Reverb (55-56)	---	Flanger combined with reverb
Phaser & Reverb (57-58)	---	Phaser combined with reverb
Rotary Speaker & Reverb (59-60)	---	Rotary Speaker effect combined with Reverb
Delay & Reverb (61-63)	---	Delay combined with Reverb
Delay & Chorus (64-67)	---	Widens the signals and produces repetition effects
Delay & Flanger (68-70)	---	Similar to Delay & Chorus, but with audible up/downward modulation
INSERT EFFECTS:
Compressor (71-73)	---	Soft or loud passages are raised or lowered in level respectively
Expander (74-76)	---	Noise and hum is reduced in level
Gate (77-78)	---	A gate opens for a specific period of time to make a specific signal pass, then closes abruptly
Ultramizer (79-80)	---	Compression through automatic adaptation of compression parameters
Ultrabass (81-82)	---	Combines sub-harmonics processor, bass exciter, and limiter
Panner (83-85)	---	The signal "wanders" between the sides of the stereo basis
Exciter (86-88)	---	Adds synthetic harmonics to the signal, resulting in increased presence and "loudness"
Auto Filter (89-91)	---	Level-dependent boost of a specific frequency band, similar to auto-wah or electric guitars
Tube Distortion (92-93)	---	Simulates the tube distortion of classic guitar amplifiers
Guitar Amp (94-97)	---	Guitar amp simulation
Vinylizer (98)	---	Adds the clicks and noise of old vinyl records
Test Tone (99)	---	1-kHz test tone. Virtually indistinguishable from some genres of techno.

...

Read more!...[x]

BEHRINGER - EURODESK SL3242FX-PRO and SL2442FX-PRO

EuroDesk SL Mixing Consoles from Behringer

Ultra Low-Noise Design 24 and 32 -Input 4-Bus Studio/Live Mixer with Premium Mic Preamplifiers and Dual Digital 24-Bit Multi-FX Processor

The Behringer - EURODESK SL2442FX-PRO and SL3242FX-PRO serires is designed to meet the needs of studio and live mixing applications with a comprehensive set of features & sound modification tools, The SL2442FX-PRO Analog Mixer is a 24 channel and SL3242FX-PRO 32 channel, Both consoles feature IMP "Invisible" Mic Preamplifiers and 2 independent 24-bit digital stereo FX processors with 99 VIRTUALIZER presets. A high-precision 9-band stereo graphic EQ allows for frequency correction of monitor and main mixes, while the revolutionary, patent-pending FBQ Feedback Detection System instantly reveals critical frequencies by utilizing the LEDs on the EQ faders

Both consoles offer 2 fully featured stereo input channels with 4-band equalization plus 2 additional stereo input channels with level and pre-fader aux facilities. In addition, all mono channels feature new "Invisible" Mic Preamps (IMPs) with 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs, ultra-wide 60 dB gain range and the lowest possible distortion 0.0007 % (20 Hz -- 20 kHz). Studio users will appreciate the 4 subgroups and the integrated talkback section. Live sound engineers will benefit from the 9-band stereo graphic EQ with the amazing FBQ (Feedback Detection System) function for eliminating feedback and a mono subwoofer output with a sweepable low pass filter. The SL consoles are equipped with solo-in-place and pre fader-listen functions and 4 aux sends per channel (2 switchable pre/post fader and 2 post fader).

Four bus mixer that features Premium microphone preamps. Mono input channels feature three-band, semi-parametric mid-range EQ with Neo-classic British response. Stereo input channels provide four-band equalization. Each input has four aux sends; with two sends switchable between pre/post fader, for a flexible mix of.

***

EURODESK SL2442FX-PRO

Ultra Low-Noise Design 24-Input 4-Bus Studio/Live Mixer with Premium Mic Preamplifiers and Dual Digital 24-Bit Multi-FX Processor

The revolutionary new SL Series mixing consoles for the first time unite studio perfection with live performance in one single mixer. They are loaded with top-notch, no-compromise technology like studio-grade acoustically “Invisible” IMP Mic Preamps, ULN (Ultra Low-Noise) circuitry, dual 24-bit FX processors of VIRTUALIZER fame and the amazing new FBQ Feedback Detection System.

SL2442FX-PRO top view

SL2442FX-PRO rear view
(click images to enlarge)

For the studio there are two high-end 24-bit FX processors, incredible connectivity, an integrated talkback section plus comprehensive solo-in-place and pre-fader-listen functions. For live performances, they feature an ultra-musical 9-band stereo graphic EQ with the amazing FBQ Feedback Detection System and even a mono subwoofer output with a sweepable low pass filter. Another nice touch for live gigs: all mic channels can be muted during breaks by pressing a single button, so music can be played via CD/tape inputs without the mics picking up any sounds.

The SL2442FX-PRO is the new compact SL Series mixing console with 24 channels (16 mono plus 4 stereo). It features 4 subgroups and 2 pre/post switchable and 2 post fader aux sends per channel, 3-band EQs with semi-parametric mids and low cut filters for the mono channels, full-fledged high-headroom stereo input channels with 4-band equalization plus additional stereo input channels with level and pre-fader aux facilities.

One for the Road SL consoles are built with a super-sturdy metal cabinet that will withstand even the most punishing tour conditions. They use our built-in, oversized state-of-the-art auto-range power supply that automatically adapts to mains voltages (from 100 to 240 Volts) wherever you go and is immune to fluctuating mains voltages and spikes that you’ll find at most live venues. Plus, due to its high efficiency, it consumes much less energy than a conventional power supply so it runs a lot cooler.


Features

• Ultra low-noise ULN design, highest possible headroom, ultra-transparent
• 16 new state-of-the-art, studio-grade IMP “Invisible” Mic Preamps with:
  
  • 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
  • Ultra-wide 60 dB gain range
  • Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
• 2 independent 24-bit digital stereo FX processors with 99 great-sounding VIRTUALIZER presets including reverb, delay, chorus, compressor, tube distortion and more
• High precision 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes
• Revolutionary, patent-pending FBQ Feedback Detection System instantly reveals critical frequencies
• 2 fully featured stereo input channels with 4-band EQ plus 2 additional stereo input channels with level and pre-fader aux facilities
• Effective, extremely musical 3-band EQ plus switchable low cut filter on all mono channels
• Inserts on each mono channel and main mix for flexible connection of outboard equipment
• 4 subgroups and additional mono output with sweepable low pass filter for subwoofer application
• 4 aux sends per channel: 2 switchable pre/post fader, 2 post fader (for internal FX and/or as external send)
• Clip indication and gain level set LEDs plus mute switches for each channel allow fast and accurate level setting
• Balanced main mix outputs with gold-plated XLR and ¼” TRS connectors, headphone/control room output and stereo tape outputs
• Solo-In-Place and Pre-Fader-Listen functions plus full-featured talkback section
• Standby switch mutes all channels during breaks while background music is provided via CD/tape inputs
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortion—better than 4560 op amps
• Long-wearing logarithmic-taper faders and sealed rotary controls
• Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption
• Extremely rugged construction ensures long life even under most demanding conditions
• Conceived and designed by BEHRINGER Germany

***

EURODESK SL3242FX-PRO

Ultra Low-Noise Design 32-Input 4-Bus Studio/Live Mixer with Premium Mic Preamplifiers and Dual Digital 24-Bit Multi-FX Processor

The revolutionary new SL Series mixing consoles for the first time unite studio perfection with live performance in one single mixer. They are loaded with top-notch, no-compromise technology like studio-grade acoustically “Invisible” IMP Mic Preamps, ULN (Ultra Low-Noise) circuitry, dual 24-bit FX processors of VIRTUALIZER fame and the amazing new FBQ Feedback Detection System.

SL3242FX-PRO top view

SL3242FX-PRO rear view
(click images to enlarge)

For the studio there are two high-end 24-bit FX processors, incredible connectivity, an integrated talkback section plus comprehensive solo-in-place and pre-fader-listen functions. For live performances, they feature an ultra-musical 9-band stereo graphic EQ with the amazing FBQ Feedback Detection System and even a mono subwoofer output with a sweepable low pass filter. Another nice touch for live gigs: all mic channels can be muted during breaks by pressing a single button, so music can be played via CD/tape inputs without the mics picking up any sounds.

SL3242FX-PRO is the new full size SL Series mixing console with 32 channels (24 mono plus 4 stereo). It features 4 subgroups and 2 pre/post switchable and 2 post fader aux sends per channel, 3-band EQs with semi-parametric mids and low cut filters for the mono channels, full-fledged high-headroom stereo input channels with 4-band equalization plus additional stereo input channels with level and pre-fader aux facilities.

One for the Road SL consoles are built with a super-sturdy metal cabinet that will withstand even the most punishing tour conditions. They use our built-in, oversized state-of-the-art auto-range power supply that automatically adapts to mains voltages (from 100 to 240 Volts) wherever you go and is immune to fluctuating mains voltages and spikes that you’ll find at most live venues. Plus, due to its high efficiency, it consumes much less energy than a conventional power supply so it runs a lot cooler.


Features

• Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio
• 24 new state-of-the-art, studio-grade IMP “Invisible” Mic Preamps with:
• 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
• Ultra-wide 60 dB gain range
• Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
• 2 independent 24-bit digital stereo FX processors with 99 great-sounding VIRTUALIZER presets including reverb, delay, chorus, compressor, tube distortion and more
• High precision 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes
• Revolutionary, patent-pending FBQ Feedback Detection System instantly reveals critical frequencies
• 2 fully featured stereo input channels with 4-band EQ plus 2 additional stereo input channels with level and pre-fader aux facilities
• Effective, extremely musical 3-band EQ plus switchable low cut filter on all mono channels
• Inserts on each mono channel and main mix for flexible connection of outboard equipment
• 4 subgroups and additional mono output with sweepable low pass filter for subwoofer application
• 4 aux sends per channel: 2 switchable pre/post fader, 2 post fader (for internal FX and/or as external send)
• Clip indication and gain level set LEDs plus mute switches for each channel allow fast and accurate level setting
• Balanced main mix outputs with gold-plated XLR and ¼” TRS connectors, headphone/control room output and stereo tape outputs
• Solo-In-Place and Pre-Fader-Listen functions plus full-featured talkback section
• Standby switch mutes all channels during breaks while background music is provided via CD/tape inputs
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortion—better than 4560 op amps
• Long-wearing logarithmic-taper faders and sealed rotary controls
• Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption
• Extremely rugged construction ensures long life even under most demanding conditions
• Conceived and designed by BEHRINGER Germany

Read more!...[x]

LINE6 - POD® X3 PRO

POD® X3 PRO

The most powerfull addition to POD family of signal processor has born "POD® X3 Pro" for professional use.

With professional guitarists demanding more power and versatility from their gear, Line 6 answers the call with POD X3 Pro. Fully loaded with stunning effects and hundreds of legendary POD amp, cabinet and stompbox models for guitarists, bassists and vocalists, POD X3 Pro is the workhorse for which professional players.

Featuring two discreet signal paths, POD X3 Pro can serve two separate instruments simultaneously, each with its own full signal chain of sounds and effects. Conversely, with Dual Tone processing, a player can use POD X3 Pro like an A/B/Y box. Sending a single-input signal through two different amp and effect chains, a player can choose one, the other, or both sounds to attain one-pass double-tracked guitars or to create gorgeous dual-layered sounds.

The key concept behind POD® X3 PRO is easy of use and intuitive design, A large LCD Panel allows players to see each signal chain in its entirety at a glance, sounds can be fully modified on the fly without distracting from the performance. With a complete array of inputs and outputs including 1/4", XLR, USB, MIDI, S/PDIF and more, the POD X3 Pro prepares players for any situation. Constructed in a robust aluminum chassis, POD X3 Pro is built to inspire as well as endure a professional schedule.

***

POD® X3 POWER. INS AND OUTS FOR STUDIO AND STAGE.

POD X3 Pro is the powerful Dual Tone processor that comes fully loaded with amp and effect models for recording guitar, bass and vocals. In addition, a comprehensive array of inputs and outputs provide seamless integration into professional recording and performance rigs.


Like all members of the POD® X3 family, POD X3 Pro offers powerful Dual Tone modeling and routing options. Split your single-input guitar or bass signal through two different amp and effect chains simultaneously to create gorgeous new hybrids, or use its dual inputs to individually process two instruments—a microphone and a guitar, for example—at the same time.

Computer-based studios will want to exploit the USB 2.0 connectivity provided by POD X3 Pro for multi-channel recording as well as its S/PDIF or AES/EBU Stereo Digital Audio I/O for sending a direct digital signal to their DAWs. There’s also a digital Variax® connection that combines the acoustic and electric guitar models of your Variax with the amps, cabs, and effects of your POD X3 Pro. With the press of a footswitch, you’ll be playing virtually any combination of guitar, effect and amp.

For additional recording and processing flexibility, POD X3 Pro also includes POD Farm plug-in functionality for integration with DAW recording applications.

The comprehensive analog and digital inputs make POD X3 Pro perfect for a wide range of recording and performance scenarios. It features:

• Dual 1/4" instrument inputs
• Dual XLR microphone inputs (with phantom power, trim controls and low-cut filters)
• Stereo 1/4" line inputs
• S/PDIF digital input
• AES/EBU digital input
• Variax® Digital Interface (VDI)

POD X3 Pro also supports a comprehensive set of outputs for delivering processed bass, guitar and vocals to recording and performance rigs. Output choices include:

• Stereo unbalanced 1/4" outputs
• Stereo balanced XLR outputs (mic or line level)
• Multi-channel USB 2.0
• S/PDIF digital output
• AES/EBU digital output

Whether you’re recording in the studio or performing live, POD X3 Pro delivers the flexibility, connections and timeless tones that have made POD® the global standard for the discerning guitarist.

***

RECORD THE MUSIC IN YOUR HEAD.

POD® X3 Pro isn’t simply the most full-featured amp and effect modeler in the world. It’s also a USB 2.0-based multi-channel digital recording interface, boasting top-tier specs like 24-bit studio-quality A/D and D/A converters, and 32-bit floating-point processing for sharp, clear audio imaging.

Over USB, you’ve got the ability to record any or all of 8 different signals running through the POD X3 Pro. The 1/4" and XLR inputs can be used to simultaneously record two individual instruments or microphones to separate tracks in your DAW, each in stereo and each with the option of recording the dry mono signal at the same time. (This is perfect for going back after you’ve recorded a track and adding a little magic with the included plug-in.) In addition to the dual stereo and mono options, there’s also a stereo blend being sent down to your DAW that matches exactly the blend coming out of the stereo 1/4" outs.

POD X3 Pro also includes S/PDIF and AES/EBU Stereo Digital Audio outputs for recording direct to pro applications like ProTools®, Logic® Pro and others. For additional recording and processing flexibility, POD X3 Pro includes plug-in functionality for integration with DAW recording applications.POD Farm

***

FROM BOUTIQUE BEAUTIES TO SCREAMING MONSTERS.

been an amp modeler with this much sheer firepower. The awesome amp arsenal in POD® X3 Pro boasts a whopping 78 guitar amps and 24 guitar cabinets, from boutique beauties to screaming monsters, along with 28 bass amp models and 22 bass cabinet models. With the new POD X3 Dual Tone processing, you can double your trouble by running through two amp rigs simultaneously, pairing any of the rumbling amp models in POD X3 Pro for new and adventurous hybrids. And of course, POD X3 Pro uses A.I.R.™ II microphone modeling to give you four mic options (with control of mic positioning and room bleed) for every single cab. Here’s what you get:


Guitar Amplifier Models based on*:

1. "Wide panel" Fender® Deluxe Reverb®
2. Fender® Bassman®
3. Fender® Deluxe Reverb®
4. Vox® AC-30
5. Marshall® Super Lead
6. Marshall® Super Lead ("jumped" channels)
7. Roland® JC-120
8. Marshall® JCM-800
9. Soldano SLO-100
10. Mesa/Boogie® Dual Rectifier®
11. Marshall® 1974X (18W Reissue)
12. Orange AD30TC
13. L6 Treadplate
14. L6 Chemical X
15. L6 Insane
16. L6 Piezacoustic 2
17. L6 Spinal Puppet
18. L6 Tube Instrument Preamp
19. Bogner Uberschall
20. Cornford mk50h
21. Diezel VH4-Lead
22. Diezel Herbert
23. ENGL® Powerball
24. Marshall® Silver Jubilee
25. Marshall® JCM-900-Clean
26. Marshall® JCM-900-Dist
27. Marshall® JCM-2000
28. Mesa/Boogie® Triple Rectifier®
29. Peavey® 5150 II®
30. Bogner Ecstasy
31. Diezel VH4-Crunch
32. Fender® Vibroverb
33. Fender® Dual Showman® Head
34. Marshall® JMP-1
35. Vox® AC-15
36. Mesa/Boogie® Mark IIc+
37. Fender® Bassman® Head
38. Gretsch® 6156
39. Fender® Mini Twin Reverb®
40. Gibson® GA-18 Explorer®
41. Marshall® Super Bass
42. Marshall® Major
43. Silvertone® Twin Twelve
44. Supro® Thunderbolt
45. Vox® Fawn Non-Top Boost AC30
46. Dumble® Clean
47. Soldano SP88
48. Marshall® JCM 2000
49. Marshall® Super Lead Variac
50. Matchless DC-30
51. Blackface Fender® Twin Reverb®
52. Marshall® "Block Logo" JTM-45 head
53. Matchless Chieftain
54. Supro® S6616
55. Fender® Tweed Champ®
56. Hiwatt® DR-103
57. L6 Big Bottom
58. L6 Fuzz
59. L6 Octone
60. L6 Smash
61. L6 Sparkle Clean
62. L6 Throttle
63. L6 Clean
64. L6 Mood
65. L6 Agro
66. L6 Class A
67. L6 Variax Acoustic
68. L6 JTS 45
69. L6 Lunatic
70. L6 Bayou
71. L6 Crunch
72. L6 Purge
73. L6 Sparkle
74. L6 Super Clean
75. L6 SuperSpark
76. L6 Twang
77. L6 Chunk Chunk
78. Budda® Twinmaster 2x12 Combo


Guitar Cabinet Models based on*:

6x9 Supro® S6616
1x8 1961 Fender® Tweed Champ®
1x10 Gibson®
1x10 Gretsch® 6156
1x12 Line 6®
1x12 1953 Fender® Tweed Deluxe Reverb®
1x12 1964 Fender® Blackface Deluxe Reverb®
1x12 1960 Vox® AC-15
1x15 1962 Supro® Thunderbolt
2x2 Fender® Mini Twin Reverb®
2x12 Line 6® Fender®
2x12 1965 Fender® Blackface
2x12 1995 Matchless Chieftain
2x12 Roland® JC-120
2x12 1967 Vox®
2X12 1967 Silvertone® Twin Twelve
4x10 Line 6®
4x10 1959 Fender® Bassman®
4x12 Line 6® Marshall®
4x12 1967 Marshall® Basketweave with Greenbacks
4x12 1968 Marshall® Basketweave with Greenbacks
4x12 1978 Marshall® with stock 70s
4x12 1996 Marshall® with Vintage 30s
4x12 Mesa/Boogie®

***

THE MOST MAMMOTH COLLECTION OF TONES AND TIMBRES EVER ASSEMBLED.

Try to picture this: a pedal board that’s 30-feet long, with close to a hundred of the all-time greatest stompboxes (in pristine condition!), along with an effects rack that houses top-notch outboard compressors, reverbs, EQs and vintage preamps. And imagine that you could play and record through this über-board with no noise at all, only one power supply and only a couple of knobs and switches to control the entire thing.

That’s what you get with POD® X3 Pro: 98 stompbox and studio effect models, the most mammoth collection of tones and timbres ever assembled. You can quickly create a custom effect path with up to nine simultaneous effects, and with POD X3 Dual Tone processing, you can even run through two completely independent effects chains at the same time, to create totally original (and insane!) walls of sound. POD X3 Pro includes:

• Stomp: Fuzz, Distortion, Overdrive and every flavor of delicious dirt.
• Mod: Chorus, Flanger, Tremolo, Rotary, Phaser; some serious swoosh.
• Delay: Multiple types of Analog, Digital, Tape and other echoes, echoes, echoes. . .
• Reverb: Multiple types of Room, Hall, Chamber, Plate, Spring and more.
• Beyond: Compressors, Gate, 4-Band Semi-Parametric EQ, Guitar Synth, Filters, Wah and the entire galaxy of otherworldly timbre tweakers.


Stompbox and Studio Effect Models based on*:

1. Teletronics LA-2A®
2. EP-1 Tube Echoplex
3. Electro-Harmonix® Deluxe Memory Man
4. Uni-Vibe
5. MXR® Phase 90
6. Fender® Deluxe Reverb® Tremolo
7. Leslie® 145
8. Arbiter® Fuzz Face
9. Ibanez® Tube Screamer
10. Big Muff Pi®
11. ProCo Rat
12. Maestro® Bass Brassmaster
13. Sans Amp Bass Driver
14. Arbiter® Cry Baby
15. L6 Vetta Comp
16. L6 Sub Octaves 17. L6 Slap Plate Reverb
18. L6 Male De-Esser
19. L6 Female De-Esser
20. L6 Vetta Wah
21. L6 Digital Delay
22. L6 Six band semi-parametric EQ
23. L6 Flanger
24. L6 Sine Chorus
25. L6 Noise Gate
26. L6 Standard Spring Reverb
27. L6 Brite Room Reverb
28. L6 Medium Hall Reverb
29. L6 Cavernous Reverb
30. L6 Bender pitch effect
31. Boss® CS-1 Compressor (treble switch)
32. Tycobrahe Octavia®
33. Binson EchoRec
34. Maestro® EP-3 Echoplex
35. Boss® DM2 Analog Delay
36. Roland® RE-101 Space Echo
37. Square CE-1 Chorus
38. A/DA Flanger
39. Boss® CS-1 Compressor
40. MXR® Dyna Comp
41. Vox® V847 Wah
42. Custom Vox® V847 Wah
43. Colorsound® Wah-Fuzz
44. Maestro® Boomerang Wah
45. Cry Baby® Super - Jen Electronics
46. RMC Real McCoy 1 Wah
47. Mu-Tron® III Down
48. Moog and ARP style synth filters
49. Moog Lead
50. ARP Solina / Elka® Strings
51. Boss® Metal Zone MT-2
52. Chandler Tube Driver®
53. Fender® Vibratone
54. L6 Sweep Echo
55. L6 Reverse Delay
56. L6 Stereo Delay
57. L6 Ping Pong Delay
58. L6 Small Room
59. L6 Lux Spring
60. L6 Auto Swell
61. L6 Auto Pan
62. L6 Large Hall
63. L6 Vintage Plate
64. 64 Mu-Tron® III
65. 1960 Vox® AC15 Tremolo
66. L6 Tiled Room
67. L6 Rich Chamber
68. L6 Large Plate
69. Boss® CE-1 Chorus Ensemble
70. L6 King Spring
71. L6 Dark Hall
72. L6 Chamber
73. Boss® Metal Zone
74. L6 Vetta Juice
75. L6 Boost & EQ
76. L6 Clean Sweep
77. L6 Seizmik Synth
78. L6 Double Bass
79. L6 Buzz Wave
80. L6 Rez Synth
81. L6 Saturn 5 Ring Mod
82. L6 Synth FX
83. L6 Synth Harmony
84. L6 Squarge Chorus
85. L6 Expo Chorus
86. L6 Random Chorus
87. L6 Square Flange
88. L6 Expo Flange
89. L6 Lumpy Phase
90. L6 Hi-Talk
91. L6 Sweeper
92. L6 POD Purple X
93. L6 Random Sample and Hold
94. L6 Tape Eater
95. L6 Warble-matic
96. L6 Low Rez Delay
97. L6 Phaze Eko
98. L6 Bubble Eko

***

THE ULTIMATE SECRET WEAPON FOR BASSISTS, SINGERS AND SONGWRITERS.

Think POD® s only geared towards guitarists? Think again: POD® X3 Pro might just be the ultimate secret weapon for bassists, singers and songwriters too. Bass players can combine any of the 28 badass bass amp and 22 bass cab models with any one of its killer high-end compressors and super-cool stompboxes. Better yet, why not use Dual Tone processing to run up to nine of those stompboxes and studio processors on each of your two simultaneous bass rigs . . . in stereo! Now that’s lowdown and dirty. .. .

Singers can run their studio microphone into the XLR input and take advantage of the warm and rich suite of mic preamp and compressor models provided by POD X3 Pro. Adding a touch of top-quality vintage spring or digital reverb will put that professional touch on all your best songs.

Perform live using POD X3 Dual Tone processing and turn your POD X3 Pro into both a vocal processor/preamp (via XLR input) and a guitar amp modeler/effector (via 1⁄4" input), and simply send a single stereo pair to the house as you sing and play your sensitive heart out!


Bass Amplifier Models based on*:

1. Ampeg® SVT
2. Ampeg® B-15A
3. Eden Traveler WT-300
4. Fender® Bassman® head
5. Gallien Kruger 800RB6. Hiwatt® DR-103
7. Hiwatt® 200DR
8. Fender® Dual Showman®
9. Fender® Bassman® Combo
10. Mesa/Boogie® Bass 400+
11. Polytone Minibrute
12. Sunn® Coliseum
13. SWR® SM-500
14. Versatone Pan-O-Flex
15. Vox® AC-100
16. Marshall® Major
17. Marshall® Plexi Super Bass
18. Acoustic 360
19. Aguilar® DB750
20. Alembic F-2B
21. L6 Tube Bass Preamp
22. L6 Classic Jazz
23. L6 Brit Invader
24. L6 Super Thor
25. L6 Frankenstein
26. L6 Ebony Lux
27. L6 Doppelganger
28. L6 Sub Dub


Bass Cabinet Models based on*:

1x12 Euphonics® CXL-112L
1x12 Versatone® Pan-O-Flex
1x15 Ampeg® B-15
1x15 SWR® Big Ben
1x15 Ploytone® Minibrute
1x18 Acoustic 360
1x18 Mesa/Boogie®
1x18 + 12 Sunn® Coliseum
2x10 Ashdown® ABM 210T
2x15 Fender® Dual Showman®
2x15 Mesa/Boogie®
2x15 Vox® AC-100
4x10 Line 6 Original
4 x 10 Fender® Bassman® Combo w/ new speakers
4 x 10 Fender® Bassman® Combo
4 x 10 Hartke®
4 x 10 David Eden
4 x 12 Hiwatt® Bass Cab
4 x 12 1967 Marshall® Basketweave w/ Greenbacks
4 x 12 1968 Marshall® Basketweave w/ Greenbacks
4 x 15 Marshall® Major
8 x 10 Ampeg® SVT Cab


Vintage and Modern Preamp Models based on*:

1. API® 512c with API® 550b EQ
2. Neve 1073
3. Avalon Vt737
4. Requisite Y7
5. L6 Solid State Console
6. L6 Lo-Fi

***

INS AND OUTS

• Dual 1/4" instrument inputs
• Dual XLR microphone inputs (with phantom power, trim adjust, signal/clip indicators and low cut filters)
• Stereo 1/4" line inputs
• Stereo 1/4" outputs (with amp/line switch)
• Stereo XLR balanced line outputs (with ground lift and Mic/Line switch)
• Dual 1/4" unprocessed line outputs
• 1/4" stereo headphone output
• USB 2.0 for computer recording
• S/PDIF stereo digital audio input and output
• AES/EBU stereo digital audio input and output
• Stereo 1/4" effects end and return
• Midi In/Out/Thru
• FBV™ connector for optional pedal controller
• Variax Digital Interface

CONTROLS

• Expansive Backlit LCD display
• 8 Chrome “Amp Control” Knobs: Drive, Bass, Mid, Treble, Presence, Reverb, Tone Volume, Master Volume
• Tap Tempo/Tuner Button
• 5 stompbox On/Off buttons: Amp, Stomp, Mod, Delay, Verb
• Dedicated “Dual Tone” control button
• 5 context-Sensitive parameter edit knobs

AMP, CAB AND EFFECTS MODELS

• Massive model set for guitar, bass & vocals
• 78 guitar amp models
• 24 guitar cab models
• 98 stompbox and studio effects
• 28 bass amp models
• 22 bass cab models
• 6 vocal preamp models
• A.I.R.™ II cab/mic modeling with 4 mic options for both guitar and bass modeling
• POD Farm plug-in, a free download, provides all models in Mac® AU/RTAS®/VST® and Windows® RTAS®/VST® compatible formats

ADDITIONAL FEATURES

• Send one guitar through two complete Amp/Effect signal chains simultaneously
• Independent tone processing for 2 separate inputs
• USB 2.0 Multi-Channel digital computer recording (Stereo Wet/Dry Per Input)
• Studio-quality 24-bit A/D and D/A Converters and 32-bit floating point processing
• Up to 9 simultaneous effects per signal chain with pre- and post-amp routing
• Tap Tempo control for time-based effects
• Precision chromatic tuner, with Audio Mute and Bypass options
• USB 2.0 cable included
• Internal IEC power supply
• MIDI lets you automate every move

Read more!...[x]

LINE6 - POD® X3 Live

POD® X3 Live
Digital Guitar Processors

Another POD® family for professional guitar and studio tone processors, which bring more power, ease and flexibility to use. not only for professional, beginer guitar player also can be easily to perform using this guitar multi effect.

The desktop-friendly POD X3 and stage-ready POD X3 Live represent the evolution of a true classic, with an expanded array of 78 guitar amps, from high-wattage heavyweights to boutique beauties and vintage treasures. The new PODs offer 24 guitar cabs, 98 stompbox and studio effects, 28 bass amps, 22 bass cabs and six vocal preamps. POD X3 and POD X3 Live come fully loaded with the all-around sonic firepower of a top-tier studio, while its larger LCD and smart new controls make it easier to find, tweak and save tones.

POD X3 and POD X3 Live offer powerful new I/O and routing options. The signal can be split through two different amp and effect chains simultaneously, or the dual inputs can be used to individually process two instruments—a microphone and a guitar, for example—at the same time. When playing through a P.A., amp or recording rig, a microphone can be plugged into the XLR input to make vocals and acoustic guitars sound their absolute best. Computer recording enthusiasts will want to exploit the USB 2.0 connectivity (for multi-channel recording and onscreen tone editing), as well as its S/PDIF Stereo Digital Audio Output for sending an ultra-clean signal to a DAW.

From taking the stage with the sleek and rugged POD X3 Live (with its racecar-inspired built-in expression pedal) or commanding the studio with the classically-styled POD X3, guitarists will be outfitted with even more of the flexibility and timeless tones that have made POD the global standard for the discriminating guitarist.

The best floor based multi FX unit just got better! The Pod X3 Live now has even more amp models, more FX & now includes features for bass players & vocalists! They even made it easier to use than the previous XT version.

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OVERVIEW

THE MOST POWERFULL POD® EVER.

The stage-ready POD® X3 Live represents the true evolution of the now-classic POD® xt Live guitar amp modeler, with an expanded array of 78 guitar amps, from high-wattage heavyweights to boutique beauties and vintage treasures.

Guitar amp models are just the beginning: With 24 guitar cabs, 98 stompbox and studio effects, 28 bass amps, 22 bass cabs and six vocal preamps - POD X3 Live comes complete with the all-around sonic firepower of a top-tier major-label studio, ready to tackle guitar, bass vocals and beyond. What’s more, its larger LCD and smart new editing workflow pages make it easier than ever to find, tweak and save tones.

POD X3 Live also offers powerful new dual tone modeling and routing options. Split your single-input guitar or bass signal through two different amp and effect chains simultaneously to create gorgeous new hybrids, or use its dual inputs to individually process two instruments—a microphone and a guitar, for example—at the same time.

The Variax® Digital Interface combines the acoustic and electric guitar models of your Variax with the amps, cabs, and effects of your POD X3 Live. With the press of a footswitch, you’ll be playing virtually any combination of guitar, effect and amp.

Computer recording enthusiasts will want to exploit POD Farm plug-in, a free download that provides a crucial collection of AU/RTAS®/VST® POD tones, as well as the USB 2.0 connectivity for multi-channel recording and the S/PDIF Stereo Digital Audio Output.

In addition to stereo 1/4-inch line outputs (with Amp/Line pad switch) POD X3 Live boasts stereo XLR balanced line outputs for the best possible live signal. There’s also a digital Variax® connection that combines the acoustic and electric guitar models of your Variax with the amps, cabs, and effects of your POD X3 Live. With the press of a footswitch, you’ll be playing virtually any combination of guitar, effect and amp.

When you hit the stage with the sleek and rugged brushed-aluminum POD X3 Live (with its racecar-inspired built-in expression pedal), you’ll be outfitted with even more of the flexibility and timeless tones that have made POD the global standard for the discriminating guitarist.

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AMPS/CABS
FROM BOUTIQUE BEAUTIES TO SCREAMING MONTERS.

much sheer firepower. The awesome amp arsenal in POD X3 Live boasts a whopping 78 guitar amps and 24 guitar cabinets (along with 28 bass amp models and 22 bass cabinet models). With the brilliant new Dual Tone processing provided by POD X3 Live, you can double your trouble by running through two amp rigs simultaneously, pairing any of the rumbling amp models provided by POD X3 Live for new and adventurous hybrids. And of course, Line 6 uses A.I.R.™ II microphone modeling to give you four mic options (with control of mic positioning and room bleed) for every single cab. Here’s what you get:

Guitar Amplifier Models based on*:

1. "Wide panel" Fender® Deluxe Reverb®
2. Fender® Bassman®
3. Fender® Deluxe Reverb®
4. Vox® AC-30
5. Marshall® Super Lead
6. Marshall® Super Lead ("jumped" channels)
7. Roland® JC-120
8. Marshall® JCM-800
9. Soldano SLO-100
10. Mesa/Boogie® Dual Rectifier®
11. Marshall® 1974X (18W Reissue)
12. Orange AD30TC
13. L6 Treadplate
14. L6 Chemical X
15. L6 Insane
16. L6 Piezacoustic 2
17. L6 Spinal Puppet
18. L6 Tube Instrument Preamp
19. Bogner Uberschall
20. Cornford mk50h
21. Diezel VH4-Lead
22. Diezel Herbert
23. ENGL® Powerball
24. Marshall® Silver Jubilee
25. Marshall® JCM-900-Clean
26. Marshall® JCM-900-Dist
27. Marshall® JCM-2000
28. Mesa/Boogie® Triple Rectifier®
29. Peavey® 5150 II®
30. Bogner Ecstasy
31. Diezel VH4-Crunch
32. Fender® Vibroverb
33. Fender® Dual Showman® Head
34. Marshall® JMP-1
35. Vox® AC-15
36. Mesa/Boogie® Mark IIc+
37. Fender® Bassman® Head
38. Gretsch® 6156
39. Fender® Mini Twin Reverb®
40. Gibson® GA-18 Explorer®
41. Marshall® Super Bass
42. Marshall® Major
43. Silvertone® Twin Twelve
44. Supro® Thunderbolt
45. Vox® Fawn Non-Top Boost AC30
46. Dumble® Clean
47. Soldano SP88
48. Marshall® JCM 2000
49. Marshall® Super Lead Variac
50. Matchless DC-30
51. Blackface Fender® Twin Reverb®
52. Marshall® "Block Logo" JTM-45 head
53. Matchless Chieftain
54. Supro® S6616
55. Fender® Tweed Champ®
56. Hiwatt® DR-103
57. L6 Big Bottom
58. L6 Fuzz
59. L6 Octone
60. L6 Smash
61. L6 Sparkle Clean
62. L6 Throttle
63. L6 Clean
64. L6 Mood
65. L6 Agro
66. L6 Class A
67. L6 Variax Acoustic
68. L6 JTS 45
69. L6 Lunatic
70. L6 Bayou
71. L6 Crunch
72. L6 Purge
73. L6 Sparkle
74. L6 Super Clean
75. L6 SuperSpark
76. L6 Twang
77. L6 Chunk Chunk
78. Budda® Twinmaster 2x12 Combo


Guitar Cabinet Models based on*:

• 6x9 Supro® S6616
• 1x8 1961 Fender® Tweed Champ®
• 1x10 Gibson®
• 1x10 Gretsch® 6156
• 1x12 Line 6®
• 1x12 1953 Fender® Tweed Deluxe Reverb®
• 1x12 1964 Fender® Blackface Deluxe Reverb®
• 1x12 1960 Vox® AC-15
• 1x15 1962 Supro® Thunderbolt
• 2x2 Fender® Mini Twin Reverb®
• 2x12 Line 6® Fender®
• 2x12 1965 Fender® Blackface
• 2x12 1995 Matchless Chieftain
• 2x12 Roland® JC-120
• 2x12 1967 Vox®
• 2X12 1967 Silvertone® Twin Twelve
• 4x10 Line 6®
• 4x10 1959 Fender® Bassman®
• 4x12 Line 6® Marshall®
• 4x12 1967 Marshall® Basketweave with Greenbacks
• 4x12 1968 Marshall® Basketweave with Greenbacks
• 4x12 1978 Marshall® with stock 70s
• 4x12 1996 Marshall® with Vintage 30s
• 4x12 Mesa/Boogie®

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THE MOST MAMMOTH COLLECTION OF TONES AND TIMBRES EVER ASSEMBLED

Try to picture this: a pedal board that’s 30-feet long, with close to a hundred of the all-time greatest stompboxes (in pristine condition!), along with an effects rack that houses top-notch outboard compressors, reverbs, EQs and vintage preamps. And imagine that you could play and record through this über-board with no noise at all, only one power supply and only a handful of knobs and switches to control the entire thing. Now imagine that it’s a svelte, sleek and shiny brushed-aluminum killer that looks awesome with your onstage rig.

That’s what you get with POD® X3 Live: up to nine simultaneous effects, and the most mammoth collection of tones and timbres ever assembled. With POD X3 Dual Tone processing, you can even run through two completely independent effects chains at the same time, to create totally original (and insane!) walls of sound. While its heavy-duty metal footswitches allow you to select presets and individual effect modules, the stylish and rugged POD X3 Live foot controller can be used to control wah, volume or to morph between effect settings. You can even integrate your collection of outboard rack and stompbox effects with POD X3 Live via its 1/4-inch stereo effects loop. POD X3 Live includes:

• Stomp: Fuzz, Distortion, Overdrive and every flavor of delicious dirt.
• Mod: Chorus, Flanger, Tremolo, Rotary, Phaser; some serious swoosh.
• Delay: Multiple types of Analog, Digital, Tape and other echoes, echoes, echoes. . .
• Reverb: Multiple types of Room, Hall, Chamber, Plate, Spring and more.
• Beyond: Compressors, Gate, 4-Band Semi-Parametric EQ, Guitar Synth, Filters, Wah and the entire galaxy of otherworldly timbre tweakers.


Stompbox and Studio Effect Models based on*:

1. Teletronics LA-2A®
2. EP-1 Tube Echoplex
3. Electro-Harmonix® Deluxe Memory Man
4. Uni-Vibe
5. MXR® Phase 90
6. Fender® Deluxe Reverb® Tremolo
7. Leslie® 145
8. Arbiter® Fuzz Face
9. Ibanez® Tube Screamer
10. Big Muff Pi®
11. ProCo Rat
12. Maestro® Bass Brassmaster
13. Sans Amp Bass Driver
14. Arbiter® Cry Baby
15. L6 Vetta Comp
16. L6 Sub Octaves 17. L6 Slap Plate Reverb
18. L6 Male De-Esser
19. L6 Female De-Esser
20. L6 Vetta Wah
21. L6 Digital Delay
22. L6 Six band semi-parametric EQ
23. L6 Flanger
24. L6 Sine Chorus
25. L6 Noise Gate
26. L6 Standard Spring Reverb
27. L6 Brite Room Reverb
28. L6 Medium Hall Reverb
29. L6 Cavernous Reverb
30. L6 Bender pitch effect
31. Boss® CS-1 Compressor (treble switch)
32. Tycobrahe Octavia®
33. Binson EchoRec
34. Maestro® EP-3 Echoplex
35. Boss® DM2 Analog Delay
36. Roland® RE-101 Space Echo
37. Square CE-1 Chorus
38. A/DA Flanger
39. Boss® CS-1 Compressor
40. MXR® Dyna Comp
41. Vox® V847 Wah
42. Custom Vox® V847 Wah
43. Colorsound® Wah-Fuzz
44. Maestro® Boomerang Wah
45. Cry Baby® Super - Jen Electronics
46. RMC Real McCoy 1 Wah
47. Mu-Tron® III Down
48. Moog and ARP style synth filters
49. Moog Lead
50. ARP Solina / Elka® Strings
51. Boss® Metal Zone MT-2
52. Chandler Tube Driver®
53. Fender® Vibratone
54. L6 Sweep Echo
55. L6 Reverse Delay
56. L6 Stereo Delay
57. L6 Ping Pong Delay
58. L6 Small Room
59. L6 Lux Spring
60. L6 Auto Swell
61. L6 Auto Pan
62. L6 Large Hall
63. L6 Vintage Plate
64. 64 Mu-Tron® III
65. 1960 Vox® AC15 Tremolo
66. L6 Tiled Room
67. L6 Rich Chamber
68. L6 Large Plate
69. Boss® CE-1 Chorus Ensemble
70. L6 King Spring
71. L6 Dark Hall
72. L6 Chamber
73. Boss® Metal Zone
74. L6 Vetta Juice
75. L6 Boost & EQ
76. L6 Clean Sweep
77. L6 Seizmik Synth
78. L6 Double Bass
79. L6 Buzz Wave
80. L6 Rez Synth
81. L6 Saturn 5 Ring Mod
82. L6 Synth FX
83. L6 Synth Harmony
84. L6 Squarge Chorus
85. L6 Expo Chorus
86. L6 Random Chorus
87. L6 Square Flange
88. L6 Expo Flange
89. L6 Lumpy Phase
90. L6 Hi-Talk
91. L6 Sweeper
92. L6 POD Purple X
93. L6 Random Sample and Hold
94. L6 Tape Eater
95. L6 Warble-matic
96. L6 Low Rez Delay
97. L6 Phaze Eko
98. L6 Bubble Eko

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THE ULTIMATE SECRET WEAPON FOR BASSISTS, SINGERS AND SONGWRITERS

Think POD is only geared towards guitarists? Think again: POD® X3 Live might just be the ultimate secret weapon for bassists, singers and songwriters too. Bass players can combine any of the 28 badass bass amp and 22 bass cab models in POD X3 with any one of its killer studio-grade mic preamps, high-end compressors and super-cool stompboxes. Better yet, why not use Dual Tone processing to run up to nine of those stompboxes and studio processors on each of your two simultaneous bass rigs . . . in stereo! Now that’s lowdown and dirty. . .

Singers can run their studio microphone into the XLR input on the POD X3 Live and take advantage of its warm and rich suite of mic preamps. Adding a touch of top-quality vintage spring or digital reverb will put that professional touch on all your best songs.

Perform live using POD X3 Dual Tone processing to turn your POD X3 Live into both a vocal processor/preamp and a guitar amp modeler/effector, and simply send a single stereo pair to the house as you sing and play your sensitive heart out! While you’re at it, why not a route a drum machine or sampler to the Auxiliary input for a little backing beat?


Bass Amplifier Models based on*:

1. Ampeg® SVT
2. Ampeg® B-15A
3. Eden Traveler WT-300
4. Fender® Bassman® head
5. Gallien Kruger 800RB6. Hiwatt® DR-103
7. Hiwatt® 200DR
8. Fender® Dual Showman®
9. Fender® Bassman® Combo
10. Mesa/Boogie® Bass 400+
11. Polytone Minibrute
12. Sunn® Coliseum
13. SWR® SM-500
14. Versatone Pan-O-Flex
15. Vox® AC-100
16. Marshall® Major
17. Marshall® Plexi Super Bass
18. Acoustic 360
19. Aguilar® DB750
20. Alembic F-2B
21. L6 Tube Bass Preamp
22. L6 Classic Jazz
23. L6 Brit Invader
24. L6 Super Thor
25. L6 Frankenstein
26. L6 Ebony Lux
27. L6 Doppelganger
28. L6 Sub Dub


Bass Cabinet Models based on*:

1x12 Euphonics® CXL-112L
1x12 Versatone® Pan-O-Flex
1x15 Ampeg® B-15
1x15 SWR® Big Ben
1x15 Ploytone® Minibrute
1x18 Acoustic 360
1x18 Mesa/Boogie®
1x18 + 12 Sunn® Coliseum
2x10 Ashdown® ABM 210T
2x15 Fender® Dual Showman®
2x15 Mesa/Boogie®
2x15 Vox® AC-100
4x10 Line 6 Original
4 x 10 Fender® Bassman® Combo w/ new speakers
4 x 10 Fender® Bassman® Combo
4 x 10 Hartke®
4 x 10 David Eden
4 x 12 Hiwatt® Bass Cab
4 x 12 1967 Marshall® Basketweave w/ Greenbacks
4 x 12 1968 Marshall® Basketweave w/ Greenbacks
4 x 15 Marshall® Major
8 x 10 Ampeg® SVT Cab


Vintage and Modern Preamp Models based on*:

1. API® 512c with API® 550b EQ
2. Neve 1073
3. Avalon Vt737
4. Requisite Y7
5. L6 Solid State Console
6. L6 Lo-Fi

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SPECIFICATIONS





INS AND OUTS

• 1/4-inch Instrument Input (w/ Normal/Pad switch)
• XLR Microphone Input (w/ Trim Adjust)
• USB 2.0 for computer recording
• S/PDIF Stereo Digital Audio output
• Stereo 1/4-inch Line outputs (with Amp/Line Pad switch)
• Stereo XLR Balanced Line outputs
• 1/4-inch stereo effect loop
• Variax Digital Connector
• 1/4-inch Expression Pedal input
• Midi In & Out/Thru
• 1/4-inch stereo headphones out
• Pedal 2 input for optional second Expression Pedal Controller
• 1/8-inch Stereo (CD/MP3) Jam Along input

CONTROLS

• Expansive Backlit LCD display
• 8 Chrome “Amp Control” Knobs: Drive, Bass, Mid, Treble, Presence, Reverb, Tone Volume, Master Volume
• Metal Tap Tempo/Tuner footswitch
• 5 metal stompbox On/Off footswitches: Amp, Stomp, Mod, Delay, Comp/Boost
• Built-in heavy-duty Wah/Volume/Expression pedal
• Dedicated Bank Up/Down & A/B/C/D metal footswitches for preset selection
• Dedicated “Dual Tone” control metal footswitch
• 5 Context-Sensitive Parameter Edit knobs
• Dedicated Input/Output configuration buttons
• Ground Lift switch

AMP, CAB, EFFECT MODELS

• Massive model set for guitar, bass & vocals
• 78 guitar amp models
• 24 guitar cab models
• 98 stompbox and studio effects
• 28 bass amp models
• 22 bass cab models
• 6 vocal preamp models
• A.I.R.™ II cab/mic modeling with 4 mic options each
• POD Farm plug-in, a free download, provides all models in Mac® AU/RTAS®/VST® and Windows® RTAS®/VST® compatible formats

ADDITIONAL FUTURES

• Rugged, stage-ready design with premium metal footswitches
• Send guitar through two complete Amp/Effect signal chains simultaneously
• Independent Tone Processing for 1/4-inch and XLR inputs 2 chrome handlebars
• USB 2.0 Multi-Channel digital computer recording (Stereo Wet/Dry Per Input)
• Studio-quality 24-bit A/D and D/A Converters and 32-bit floating point processing
• Up to 9 Simultaneous Effects Per Signal Chain, with Pre & Post amp routing
• Tap Tempo control for time-based effects
• Precision Chromatic Tuner, with Audio Mute & Bypass options
• USB 2.0 Cable included
• External Power Adapter included
• MIDI lets you automate every move

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