Friday, January 9, 2009

DigiTech - HardWire™ HT-2 Chromatic Tuner

DigiTech - HardWire™ HT-2 Chromatic TunerDigiTech - HardWire™ HT-2 Chromatic Tuner

Chromatic Tuner from DigiTech. The DigiTech - HardWire™ HT-2 Chromatic Tuner pedal with innovative features like High-accuracy (less than +/- 1 cent), stable tuning with blue In Tune LED, True Bypass circuitry preserves your tone in bypass and Constant high-voltage operation.

The DigiTech Hardwire Series HT-2 is a chromatic tuner pedal that is visible, accurate and durable when in use, transparent when not. The cornerstone of every pedalboard is a reliable tuner. The HardWire Chromatic Tuner's true bypass means that when it is off, it's out of the circuit. With the DigiTech Ht-2 tuner you can tune with confidence, using tone with integrity.


Also rugged and durable construction of Extreme Performance Pedals is just the beginning. Inside each HardWire pedal are technological features that serious players require.

True bypass preserves the purity of your original tone as signal passes through the pedal

(Click images to enlarge)

DigiTech - HardWire™ HT-2 Chromatic TunerDigiTech - HardWire™ HT-2 Chromatic Tuner

DigiTech - HardWire™ HT-2 Chromatic Tuner alternative viewDigiTech - HardWire™ HT-2 Chromatic Tuner
Alternative view

DigiTech - HardWire™ HT-2 Chromatic Tuner alternative viewDigiTech - HardWire™ HT-2 Chromatic Tuner
Alternative view



***

DigiTech - HardWire™ HT-2 Chromatic Tuner

Superior Technology • Meticulous Craftsmanship • True Innovation

True Bypass. HardWire pedals modify your guitar tone only when you want. HardWire pedals add pure effects when they’re on and don’t add noise when they’re off—truly the best of both worlds. And if you happen to lose power to HardWire pedals in the middle of a performance, you can keep playing because HardWire pedals switch to True Bypass mode until power is restored.

Higher Voltage . HardWire pedals preserve guitar tone because they operate at a significantly higher voltage than your standard pedals. HardWire pedals get the most out of hot guitar pickups and perform flawlessly in the high voltage environment of an amplifier effects loop.

Constant Voltage. HardWire pedals guarantee constant effects performance throughout the life of the battery and prevent tone loss because they operate at a steady voltage—independent of decaying battery voltage.

Tourworthy. HardWire pedals are designed for the touring musician. Unique Stomplock™ guards prevent controls from being kicked and your tone from being changed. Each HardWire pedal includes custom-cut Velcro® pads to fasten it to a pedalboard and green gaffer tape for the actuator label and see the pedal in the most adverse stage lighting conditions.


Overview

HT-2 Chromatic Tuner is the cornerstone to the HardWire pedal chain. Because the tuner is the first thing in your signal chain, it cannot affect your tone. When the HardWire Chromatic Tuner is on, you can count on it being precise, and when it’s off, you can count on it being out of way—truly the best of both worlds.


Features
  • High-accuracy (less than +/- 1 cent), stable tuning with blue In Tune LED
  • True Bypass circuitry preserves your tone in bypass
  • Constant high-voltage operation for tonal quality and noise reduction
  • HardWire Pedals include the following stage accessories
    • Green gaffer tape helps you locate the pedal in adverse stage lighting
    • Custom-cut Velcro® pads attach and lock your pedals to your pedalboard

Applications
Quick Stage Tuning

Simple and easy:
  1. Connect your guitar directly to the HT-2.
  2. Set the mode as desired.
  3. Engage the HT-2 as desired.


Specifications

Inputs/Outputs
Instrument/Guitar Input: 1/4” Unbalanced (Tip-Sleeve)
Input Impedance: 1 MOhms
Output: ¼” Unbalanced (Tip-Sleeve)

Power
US and Canada: 120 VAC, 60 Hz Adapter: PS200R - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS200R - 100
Europe: 230 VAC, 50 Hz Adapter: PS200R - 230
UK: 240 VAC, 50 Hz Adapter: PS200R - 240
Power Input: 9 VDC
Power Consumption: 365mW
Battery: Single 9 VDC
Battery Life: 9 hours

General
Dimensions: 4” Width x 5.5” Length x 2.6” Height
Weight: 1.3 lbs

Read more!...[x]

Thursday, January 8, 2009

DigiTech - HardWire™ RV-7 Stereo Reverb

DigiTech - HardWire™ RV-7 Stereo ReverbDigiTech - HardWire™ RV-7 Stereo Reverb

Stereo Reverb from DigiTech. The DigiTech - HardWire™ RV-7 Stereo Reverb pedal with innovative features like Liveliness Control and give you 7 world class reverb type from room, flate, reverse, modulated, gated, hall to old style spring reverb plus, its true bypass keeps your signal pure and clean from the guitar when it's turned off and high-voltage operation are standard features on the HardWire series pedal.


The DigiTech - HardWire™ RV-7 Stereo Reverb has 4 dial knob that is Level, Liveliness, Decay and Reverb Type controls allow you to use the the HardWire RV-7 pedal to further tailor your sound. The DigiTech - HardWire™ RV-7 is a reverb effect pedal that features stereo I/O with selectable tails and a choice of 7 different reverb types.

DigiTech HardWire pedals represent a commitment to quality and attention to subtle details. In addition to technical enhancements like true bypass and high voltage operation, all DigiTech HardWire guitar pedals feature rugged, all-metal construction, a wide, stage-stable footprint, durable, custom-machined metal knobs for a sure grip, and precision potentiometers that guarantee knob positions will stay intact. is just the beginning. Inside each HardWire pedal are technological features that serious players require.

With the high-output pickups found on some electric guitars, it's not unusual to hear clipping when playing through an effects pedal. This occurs when the voltage range produced by an electric guitar's pickup is greater than the operating voltage of the effects pedal, normally limited to the voltage supplied by the effect's battery or power supply. DigiTech HardWire pedals incorporate circuitry that increases the operating voltage headroom above that of the typical pedal. That means the HardWire RV-7 pedal can work with a wider range of guitars and is also at home in your amplifier's effects loop.

True Bypass
Switch on this pedal is True Bypass, This pedal gives you rich room simulation reverb when you switch on your pedal and completely true signal bypass when it's off, True Bypass is the only way to keep your tone exactly the way you want it between your guitar and amp.


High-voltage operation
The DigiTech - HardWire™ RV-7 Stereo Reverb operate at higher voltage than your standard pedals, pickups with high-output found in some electric guitars. HardWire pedals incorporate special circuitry that increases the operating voltage "headroom" above that of the typical pedal. As such, HardWire pedals are compatible with a wider range of guitars and are also at home in an amplifier's effects loop.


(Click images to enlarge)

DigiTech - HardWire™ RV-7 Stereo ReverbDigiTech - HardWire™ RV-7 Stereo Reverb

DigiTech - HardWire™ RV-7 Stereo Reverb Alternative viewDigiTech - HardWire™ RV-7 Stereo Reverb
Alternative view


DigiTech - HardWire™ RV-7 Stereo Reverb Alternative viewDigiTech - HardWire™ RV-7 Stereo Reverb
Alternative view


***

DigiTech - HardWire™ RV-7 Stereo Reverb

Superior Technology • Meticulous Craftsmanship • True Innovation

True Bypass. HardWire pedals modify your guitar tone only when you want. HardWire pedals add pure effects when they’re on and don’t add noise when they’re off—truly the best of both worlds. And if you happen to lose power to HardWire pedals in the middle of a performance, you can keep playing because HardWire pedals switch to True Bypass mode until power is restored.

Higher Voltage . HardWire pedals preserve guitar tone because they operate at a significantly higher voltage than your standard pedals. HardWire pedals get the most out of hot guitar pickups and perform flawlessly in the high voltage environment of an amplifier effects loop.

Constant Voltage. HardWire pedals guarantee constant effects performance throughout the life of the battery and prevent tone loss because they operate at a steady voltage—independent of decaying battery voltage.

Tourworthy. HardWire pedals are designed for the touring musician. Unique Stomplock™ guards prevent controls from being kicked and your tone from being changed. Each HardWire pedal includes custom-cut Velcro® pads to fasten it to a pedalboard and green gaffer tape for the actuator label and see the pedal in the most adverse stage lighting conditions.


Overview

From Jazz rooms, Halls, to surfy springs, the RV-7 Stereo Reverb covers all the bases. Reverb, one of the original effects, can make or break your sound. The HardWire RV-7 Stereo Reverb features lush, studio quality, Lexicon™ Reverbs. Room, Plate, Reverse, Modulated, Gated, Hall, and Spring Reverbs can all be adjusted for Level, Liveliness, and Decay to achieve any reverb tone. As with all HardWire pedals, the RV-7 is crafted from premium all-metal components to perform night after night, tour after tour.


Features

  • Reverb Types
    • Room – Fast decaying reverb; great for a touch of ambience
    • Plate – Renowned studio reverb heard on classic recordings
    • Reverse – Reverb in reverse; gradually crescendos to full volume
    • Modulated – Lush, modulating, reverb ideal for chords
    • Gated – Unique reverb with abrupt decay; good for percussive playing
    • Hall – Large, encompassing reverb with warm decay
    • Spring – Classic “surf” reverb; great for Rockabilly too!
  • Tails On/Off Switch – When on, reverb tails are not cut off in bypass
  • True Bypass circuitry preserves your tone in bypass
  • Constant high-voltage operation for tonal quality and noise reduction
  • HardWire Pedals include the following stage accessories
    • Stomplock™ knob guards lock your tone in place and prevent tampering or accidental knob adjustments onstage
    • Green gaffer tape helps you locate the pedal in adverse stage lighting, Custom-cut Velcro® pads attach and lock your pedals to your pedalboard


Applications

Jazz Room Ambience
Smooth and out of the way:

1. Connect the HardWire RV-7 Stereo Reverb pedal before your amp or in your amplifier’s effects loop.

2. Set controls to:
  • - Level: 1 o’clock
  • - Liveliness: 10 o’clock
  • - Decay: 10 o’clock
  • - Mode: Room

3. Engage and leave.


Random, Spatial Room
Perfect for Reggae:

1. Connect the HardWire RV-7 Stereo Reverb pedal before your amp or in your amplifier’s effects loop.

2. Set controls to:
  • - Level: 12 o’clock
  • - Liveliness: 12 o’clock
  • - Decay: 1 o’clock
  • - Mode: Modulated

3. Use to add a rich, special ambience to your tone.


The Classic Surf Tank
Play fast and turn it up:

1. Connect the HardWire RV-7 Stereo Reverb pedal before your amp or in your amplifier’s effects loop.

2. Set controls to:
  • - Level: 12 o’clock
  • - Liveliness: 12 o’clock
  • - Decay: Max
  • - Mode: Spring

3. For wilder reverb sounds, turn up the Liveliness control.



Specifications

Inputs/Outputs
Inputs: Separate Left and Right ¼” Unbalanced (Tip-Sleeve)
Input Impedance: 1 MOhms
Outputs: Separate Left and Right ¼” Unbalanced (Tip-Sleeve)

Power
US and Canada: 120 VAC, 60 Hz Adapter: PS200R - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS200R - 100
Europe: 230 VAC, 50 Hz Adapter: PS200R - 230
UK: 240 VAC, 50 Hz Adapter: PS200R - 240
Power Input: 9 VDC
Power Consumption: 640mW
Battery Type: Single 9 VDC
Battery Life: 4.5 Hours

General
Dimensions: 4” Width x 5.5” Length x 2.6” Height
Weight: 1.3 lbs

Read more!...[x]

DigiTech - HardWire™ DL-8 Delay And Looper

DigiTech - HardWire™ DL-8 Delay And LooperDigiTech - HardWire™ DL-8 Delay And Looper

Delay and Looper from DigiTech. The DigiTech - HardWire™ DL-8 DelayAnd Looper give you eight seconds of delay and a ton of loop time - plus, its true bypass keeps your signal pure and clean from the guitar when it's turned off and high-voltage operation are standard features on the HardWire series pedal.

The DigiTech - HardWire™ DL-8 Delay And Looper has 4 dial knob that is Level, Repaet, Time and Delay or Loop type controls allow you to use the the HardWire DL-8 pedal to further tailor your sound.


The DigiTech - HardWire™ DL-8 Delay And Looper is a delay and Looper effect pedal that features stereo I/O with selectable tails and a choice of 11 different delay types. Among the delays you can configure with the DL-8 are Analog, Lo-Fi, Tape, and Reverse. The DigiTech DL-8 pedal also provides up to 8 seconds of delay and 20 seconds of looping as well as functions like tap-tempo and more.

DigiTech HardWire pedals represent a commitment to quality and attention to subtle details. In addition to technical enhancements like true bypass and high voltage operation, all DigiTech HardWire guitar pedals feature rugged, all-metal construction, a wide, stage-stable footprint, durable, custom-machined metal knobs for a sure grip, and precision potentiometers that guarantee knob positions will stay intact. is just the beginning. Inside each HardWire pedal are technological features that serious players require.

With the high-output pickups found on some electric guitars, it's not unusual to hear clipping when playing through an effects pedal. This occurs when the voltage range produced by an electric guitar's pickup is greater than the operating voltage of the effects pedal, normally limited to the voltage supplied by the effect's battery or power supply. DigiTech HardWire pedals incorporate circuitry that increases the operating voltage headroom above that of the typical pedal. That means the HardWire DL-8 delay looper pedal can work with a wider range of guitars and is also at home in your amplifier's effects loop.

True Bypass
Switch on this pedal is True Bypass, This pedal gives you rich Area simulation when you switch on your pedal and completely true signal bypass when it's off, True Bypass is the only way to keep your tone exactly the way you want it between your guitar and amp.


High-voltage operation
The DigiTech - HardWire™ DL-8 Delay And Looper operate at higher voltage than your standard pedals, pickups with high-output found in some electric guitars. HardWire pedals incorporate special circuitry that increases the operating voltage "headroom" above that of the typical pedal. As such, HardWire pedals are compatible with a wider range of guitars and are also at home in an amplifier's effects loop.

(Click images to enlarge)

DigiTech - HardWire™ DL-8 Delay And LooperDigiTech - HardWire™ DL-8 Delay And Looper

DigiTech - HardWire™ DL-8 Delay And Looper Alternative viewDigiTech - HardWire™ DL-8 Delay And Looper
Alternative view


DigiTech - HardWire™ DL-8 Delay And Looper Alternative viewDigiTech - HardWire™ DL-8 Delay And Looper
Alternative view



***

DigiTech - HardWire™ DL-8 Delay And Looper

Superior Technology • Meticulous Craftsmanship • True Innovation

True Bypass. HardWire pedals modify your guitar tone only when you want. HardWire pedals add pure effects when they’re on and don’t add noise when they’re off—truly the best of both worlds. And if you happen to lose power to HardWire pedals in the middle of a performance, you can keep playing because HardWire pedals switch to True Bypass mode until power is restored.

Higher Voltage . HardWire pedals preserve guitar tone because they operate at a significantly higher voltage than your standard pedals. HardWire pedals get the most out of hot guitar pickups and perform flawlessly in the high voltage environment of an amplifier effects loop.

Constant Voltage. HardWire pedals guarantee constant effects performance throughout the life of the battery and prevent tone loss because they operate at a steady voltage—independent of decaying battery voltage.

Tourworthy. HardWire pedals are designed for the touring musician. Unique Stomplock™ guards prevent controls from being kicked and your tone from being changed. Each HardWire pedal includes custom-cut Velcro® pads to fasten it to a pedalboard and green gaffer tape for the actuator label and see the pedal in the most adverse stage lighting conditions.


Overview

DL-8 Delay/Looper presents a variety of loops and delays. Augment your performances by dialing in and fine-tuning your favorite delays (from 150 milliseconds to 8 seconds) and loops: Reverse, Modulated, Analog, Slapback, Lo Fi, Tape, and Loop. As with all HardWire pedals, the DL-8 is crafted from premium all-metal components to perform night after night, tour after tour.


Features

  • Delay Types
    • Digital
      • 0.5 Seconds – 150 ms to 500 ms (milliseconds)
      • 1 Second – 500 ms to 1 sec
      • 2 Seconds – 1 sec to 2 sec
      • 8 Seconds – 2 sec to 8 sec
    • Reverse
    • Modulated – chorused delay
    • Analog – vintage bucket brigade analog delay
    • Slapback – 80 ms to 150 ms
    • LoFi – low-fidelity delay
    • Tape – classic tube tape echo
    • Loop – infinite stereo loops up to 20 sec
  • Tails On/Off Switch – When on, delay tails are not cut off in bypass
  • True Bypass circuitry preserves your tone in bypass
  • Constant high-voltage operation for tonal quality and noise reduction
  • HardWire Pedals include the following stage accessories
    • Stomplock™ knob guards lock your tone in place and prevent tampering or accidental knob adjustments onstage
    • Custom-cut Velcro® pads attach and lock your pedals to your pedalboard , Green gaffer tape helps you locate the pedal in adverse stage lighting



Applications

Rock-A-Billy Slapback
Twang your leads:

1. Connect the HardWire DL-8 Delay/Looper pedal before your amp or in your amplifier’s effects loop.

2. Set controls to:
  • - Level: 10 o’ clock
  • - Repeats: 8 o’ clock
  • - Time: 9 o’ clock
  • - Mode: Tape

3. Turn on to during solos. For rhythm delay reduce the delay level to 9 o’ clock.


LoFi Delays
Subtle repeats:

1. Connect the HardWire DL-8 Delay/Looper pedal before your amp or in your amplifier’s effects loop.

2. Set controls to:
  • - Level: 9 o’ clock
  • - Repeats: 9 o’ clock
  • - Time: 11 o’ clock
  • - Mode: LoFi

3. Use to add texture to your tone.


Digital Delay Layers
Play into the layers:

1. Connect the HardWire DL-8 Delay/Looper pedal before your amp or in your amps effects loop.

2. Set controls to:
  • - Level: 12 o’ clock
  • - Repeats: 12 o’ clock
  • - Time: 9 o’ clock
  • - Mode: 1 Second

3. Play into the delay for layered tones. For more layers, turn up the Repeats to 3 o’ clock.


Solo Act Looper
Laying down loops is quick and easy:

1. Connect the HardWire DL-8 Delay/Looper pedal before your amp or in your amps effects loop.

2. Set controls to:
  • - Level: 12 o’ clock
  • - Repeats: Minimum
  • - Time: 9 o’ clock (adjust as needed)
  • - Mode: Loop

3. Hold down the foot pedal until the LED indicator turns red and play your loop. Release the foot pedal when done.

4. LED indicator turns green, loop automatically plays.

5. To add more layers, repeat step 3.


Specifications

Inputs/Outputs
Inputs: Separate Left and Right ¼” Unbalanced (Tip-Sleeve)
Input Impedance: 1 MOhms
Outputs: Separate Left and Right ¼” Unbalanced (Tip-Sleeve)

Power
US and Canada: 120 VAC, 60 Hz Adapter: PS200R - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS200R - 100
Europe: 230 VAC, 50 Hz Adapter: PS200R - 230
UK: 240 VAC, 50 Hz Adapter: PS200R - 240
Power Input: 9 VDC
Power Consumption: 610mW
Battery Type: Single 9 VDC
Battery Life: 5.25 Hours

General
Dimensions: 4” Width x 5.5” Length x 2.6” Height
Weight: 1.3 lbs

Read more!...[x]

Wednesday, January 7, 2009

DigiTech - HardWire™ CR-7 Stereo Chorus

DigiTech - HardWire™ CR-7 Stereo ChorusDigiTech - HardWire™ CR-7 Stereo Chorus

Stereo Chorus pedal from DigiTech. The DigiTech - HardWire™ CR-7 Stereo Chorus offering you 7 chorus effects, ranging from Multivoice and Studio to Boutique, Vintage, and more. True bypass and high-voltage operation are standard features on the CR-7 pedal.

The DigiTech - HardWire™ CR-7 Stereo Chorus has 4 dial speed, depth, level and type controls allow you to use the CR-7 pedal to further tailor your sound, also rugged and durable construction of Extreme Performance Pedals is just the beginning. Inside each HardWire pedal are technological features that serious players require.


True Bypass
Switch on this pedal is True Bypass, This pedal gives you rich Chorus tone when you switch on your pedal and completely true signal bypass when it's off, True Bypass is the only way to keep your tone exactly the way you want it between your guitar and amp.

High-voltage operation
The DigiTech - HardWire™ CR-7 Stereo Chorus operate at higher voltage than your standard pedals, pickups with high-output found in some electric guitars. HardWire pedals incorporate special circuitry that increases the operating voltage "headroom" above that of the typical pedal. As such, HardWire pedals are compatible with a wider range of guitars and are also at home in an amplifier's effects loop.

(click images to enlarge)

DigiTech - HardWire™ CR-7 Stereo ChorusDigiTech - HardWire™ CR-7 Stereo Chorus

DigiTech - HardWire™ CR-7 Stereo Chorus Alternative viewDigiTech - HardWire™ CR-7 Stereo Chorus
Alternative view


DigiTech - HardWire™ CR-7 Stereo Chorus Alternative viewDigiTech - HardWire™ CR-7 Stereo Chorus
Alternative view



***

DigiTech - HardWire™ CR-7 Stereo Chorus

Superior Technology • Meticulous Craftsmanship • True Innovation

True Bypass. HardWire pedals modify your guitar tone only when you want. HardWire pedals add pure effects when they’re on and don’t add noise when they’re off—truly the best of both worlds. And if you happen to lose power to HardWire pedals in the middle of a performance, you can keep playing because HardWire pedals switch to True Bypass mode until power is restored.

Higher Voltage . HardWire pedals preserve guitar tone because they operate at a significantly higher voltage than your standard pedals. HardWire pedals get the most out of hot guitar pickups and perform flawlessly in the high voltage environment of an amplifier effects loop.

Constant Voltage. HardWire pedals guarantee constant effects performance throughout the life of the battery and prevent tone loss because they operate at a steady voltage—independent of decaying battery voltage.

Tourworthy. HardWire pedals are designed for the touring musician. Unique Stomplock™ guards prevent controls from being kicked and your tone from being changed. Each HardWire pedal includes custom-cut Velcro® pads to fasten it to a pedalboard and green gaffer tape for the actuator label and see the pedal in the most adverse stage lighting conditions.


Overview

Add new dimensions to your sound. Seven unique flavors of chorus are at your disposal, from warm analog to shimmering modern to glistening DigiTech Multi-Chorus. CR-7 features true stereo I/O making connections in the craziest of signal chains a possibility. Studio, Multi, Modern, Boutique, Analog, Jazz, and Vintage Choruses can all be adjusted for Level, Speed, and Depth. As with all HardWire pedals, the CR-7 is crafted from premium, all-metal components to perform night after night, tour after tour.


Features
  • Chorus Types
    • Studio— Studio quality chorus with a wide stereo image.
    • Multi – True 8-voice chorus; the lushest chorusing found in a pedal.
    • Modern – Rich and smooth dual voice chorusing.
    • Boutique – Special analog circuits that produce rich but quirky chorus sounds.
    • Analog – Distinct, organic bucket-brigade chorus.
    • Jazz – Single voice chorus with a dry output.
    • Vintage – Warm and versatile from subtle to euphoric.
  • True Bypass circuitry preserves your tone in bypass
  • Constant high-voltage operation for tonal quality and noise reduction
  • HardWire Pedals include the following stage accessories
    • Stomplock™ knob guards lock your tone in place and prevent tampering or accidental knob adjustments onstage
    • Green gaffer tape helps you locate the pedal in adverse stage lighting, Custom-cut Velcro® pads attach and lock your pedals to your pedalboard


Applications

Studio Clean

Bring your studio on the road:

1. Connect the HardWire CR-7 Stereo Chorus pedal before your clean amp or into your amplifier’s effects loop.

2. Set controls to:
  • - Level: 12 o’clock
  • - Speed: 10 o’clock
  • - Depth: 12 o’clock
  • - Mode: Studio
3. Engage as desired.

Lush Multi-Chorus

Layers of brilliant tone:

1. Connect the HardWire CR-7 Stereo Chorus pedal before your clean amp or into your amplifier’s effects loop.

2. Set controls to:
  • - Level: 3 o’clock
  • - Speed: 9 o’clock
  • - Depth: Max
  • - Mode: Multi
3. Engage as desired.

Jazz Standard

Clean and out of the way:

1. Connect the HardWire CR-7 Stereo Chorus pedal before your clean amp or in your amplifier’s effects loop.

2. Set controls to:
  • - Level: Max
  • - Speed: 9 o’clock
  • - Depth: 12 o’clock
  • - Mode: Jazz
3. Engage as desired.


Specifications

Inputs/Outputs
Inputs: Separate Left and Right ¼” Unbalanced (Tip-Sleeve)
Input Impedance: 1 MOhms
Outputs: Separate Left and Right ¼” Unbalanced (Tip-Sleeve)

Power
US and Canada: 120 VAC, 60 Hz Adapter: PS200R - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS200R - 100
Europe: 230 VAC, 50 Hz Adapter: PS200R - 230
UK: 240 VAC, 50 Hz Adapter: PS200R - 240
Power Input: 9 VDC
Power Consumption: 705mW
Battery Type: Single 9 VDC
Battery Life: 4 Hours

General
Dimensions: 4” Width x 5.5” Length x 2.6” Height
Weight: 1.3 lbs

Read more!...[x]

Tuesday, January 6, 2009

DigiTech - HardWire™ TL-2 Metal Distortion

DigiTech - HardWire™ TL-2 Metal DistortionDigiTech - HardWire™ TL-2 Metal Distortion

Is an analog distortion pedal from DigiTech, The DigiTech - HardWire™ TL-2 Metal Distortion is a metal distortion pedal that lets you pick your metal style. Metal atmosphere with easy will come to you at fisrt you switch on your DigiTech - HardWire™ TL-2 Metal Distortion pedal, with tight low-end and a crunching top — or stalk you slowly with a low, throaty roar that sizzles on the high end. The DigiTech - HardWire™ TL-2 Metal Distortion pedal's Tight/Loose switch controls the "tightness" of the low end and adjusts the midrange frequency to provide the best overall tone. Level, Gain, and Low, Mid and High tone controls with sweepable midrange allow you to dial in any tone with ease.


The DigiTech - HardWire™ TL-2 Metal Distortion has 6 dial Level, gain, low, mid, mid frequency adjusttment, and high tone controls allow you to use the TL-2 pedal to further tailor your sound, also rugged and durable construction of Extreme Performance Pedals is just the beginning. Inside each HardWire pedal are technological features that serious players require.

True Bypass
Switch on this pedal is True Bypass, This pedal gives you rich Distortion tone when you switch on your pedal and completely true signal bypass when it's off, True Bypass is the only way to keep your tone exactly the way you want it between your guitar and amp.



High-voltage operation
The DigiTech - HardWire™ TL-2 Metal Distortion operate at higher voltage than your standard pedals, pickups with high-output found in some electric guitars, it's not unusual to hear clipping when playing through an effects pedal. This occurs when the voltage range produced by a guitar's pickup is greater than the operating voltage of the effects pedal - normally limited to the voltage supplied by the effect's battery or power supply. HardWire pedals incorporate special circuitry that increases the operating voltage "headroom" above that of the typical pedal. As such, HardWire pedals are compatible with a wider range of guitars and are also at home in an amplifier's effects loop.


Play through the DigiTech - HardWire™ TL-2 Metal Distortion pedal and hear how far your massive tones can go!

(click images to enlarge)

DigiTech - HardWire™ TL-2 Metal DistortionDigiTech - HardWire™ TL-2 Metal Distortion

DigiTech - HardWire™ TL-2 Metal Distortion Alternative viewDigiTech - HardWire™ TL-2 Metal Distortion
Alternative view


DigiTech - HardWire™ TL-2 Metal Distortion Alternative viewDigiTech - HardWire™ TL-2 Metal Distortion
Alternative view



***

DigiTech - HardWire™ TL-2 Metal Distortion

Superior Technology • Meticulous Craftsmanship • True Innovation

True Bypass. HardWire pedals modify your guitar tone only when you want. HardWire pedals add pure effects when they’re on and don’t add noise when they’re off—truly the best of both worlds. And if you happen to lose power to HardWire pedals in the middle of a performance, you can keep playing because HardWire pedals switch to True Bypass mode until power is restored.

Higher Voltage . HardWire pedals preserve guitar tone because they operate at a significantly higher voltage than your standard pedals. HardWire pedals get the most out of hot guitar pickups and perform flawlessly in the high voltage environment of an amplifier effects loop.

Constant Voltage. HardWire pedals guarantee constant effects performance throughout the life of the battery and prevent tone loss because they operate at a steady voltage—independent of decaying battery voltage.

Tourworthy. HardWire pedals are designed for the touring musician. Unique Stomplock™ guards prevent controls from being kicked and your tone from being changed. Each HardWire pedal includes custom-cut Velcro® pads to fasten it to a pedalboard and green gaffer tape for the actuator label and see the pedal in the most adverse stage lighting conditions.


Overview

Unleash raw gain with the TL-2 Metal Distortion. The TL-2 Metal Distortion has two high-gain amp tone circuits at your disposal. Tight Mode gives you a responsive, percussive low end with smooth high frequencies. Loose Mode features a low EQ that best suits detuned guitars and produces a massive amount of low end thump. As with all HardWire pedals, the TL-2 is crafted from premium all-metal components to perform night after night, tour after tour.


Features

  • 2 Modes of operation: Tight and Loose
    • Tight Mode has a tight, percussive low end
    • Loose Mode suits detuned guitars
  • True Bypass circuitry preserves your tone in bypass
  • Constant high-voltage operation for tonal quality and noise reduction
  • HardWire Pedals include the following stage accessories
    • Stomplock™ knob guards lock your tone in place and prevent tampering or accidental knob adjustments onstage
    • Green gaffer tape helps you locate the pedal in adverse stage lighting, Custom-cut Velcro® pads attach and lock your pedals to your pedalboard


Applications

Tight, Percussive Low End

To get a tight, modern metal tone:

1. Connect the HardWire TL-2 Metal Distortion after your wah and before other pedals and then into the input of your amp.

2. Set controls to:
- Mode: Tight
- Level: 12 o’clock
- Low: 3 o’clock
- High: 12 o’clock
- Gain: 3 o’clock

3. Engage TL-2 as desired.


Detuned Over-the-top low end

Create a wall of low end:

1. Connect the HardWire TL-2 Metal Distortion after your wah and before other pedals and then into the input of your amp.

2. Set controls to:
- Mode: Loose
- Level: 12 o’clock
- Low: 2 o’clock
- High: 3 o’clock
- Gain: 3 o’clock

3. Engage the TL-2 as desired.


Specifications

Inputs/Outputs
Instrument/Guitar Input: 1/4” Unbalanced (Tip-Sleeve)
Input Impedance: 1 MOhms
Output: ¼” Unbalanced (Tip-Sleeve)

Power
US and Canada: 120 VAC, 60 Hz Adapter: PS200R - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS200R - 100
Europe: 230 VAC, 50 Hz Adapter: PS200R - 230
UK: 240 VAC, 50 Hz Adapter: PS200R - 240
Power Input: 9 VDC 200mA
Power Consumption: 220mW
Battery Type: Single 9 VDC
Battery Life: 14 Hours

General
Dimensions: 4” Width x 5.5” Length x 2.6” Height
Weight: 1.3 lbs

Read more!...[x]

DigiTech - HardWire™ SC-2 Valve Distortion

DigiTech - HardWire™ SC-2 Valve DistortionDigiTech - HardWire™ SC-2 Valve Distortion

Is an analog distortion pedal from DigiTech, The DigiTech - HardWire™ SC-2 Valve Distortion provides classic British tone straight to your amp, and also The DigiTech - HardWire™ SC-2 Valve Distortion pedal captures the full spectrum from classic rock crunch to modern high-gain sounds, and all the flavors in between.

The DigiTech - HardWire™ SC-2 Valve Distortion has 2 modes of operation switch Crunch and Saturated, Crunch Mode gives you plenty of gain with mids that cut through, Saturated or Scoop Mode adds more gain and removes the mids for a modified ton, has 4 dial level, gain, low and high tone controls allow you to use the SC-2 pedal to further tailor your sound.


True Bypass
Switch on this pedal is True Bypass, This pedal gives you rich valve distortion tone when you switch on your pedal and completely true signal bypass when it's off, True Bypass is the only way to keep your tone exactly the way you want it between your guitar and amp.


High-voltage operation
The DigiTech - HardWire™ SC-2 Valve Distortion operate at higher voltage than your standard pedals, pickups with high-output found in some electric guitars, it's not unusual to hear clipping when playing through an effects pedal. This occurs when the voltage range produced by a guitar's pickup is greater than the operating voltage of the effects pedal - normally limited to the voltage supplied by the effect's battery or power supply. HardWire pedals incorporate special circuitry that increases the operating voltage "headroom" above that of the typical pedal. As such, HardWire pedals are compatible with a wider range of guitars and are also at home in an amplifier's effects loop.


(click Images to enlarge)

DigiTech - HardWire™ SC-2 Valve DistortionDigiTech - HardWire™ SC-2 Valve Distortion

DigiTech - HardWire™ SC-2 Valve Distortion Alternative viewDigiTech - HardWire™ SC-2 Valve Distortion
Alternative view

DigiTech - HardWire™ SC-2 Valve Distortion Alternative viewDigiTech - HardWire™ SC-2 Valve Distortion
Alternative view


***

DigiTech - HardWire™ SC-2 Valve Distortion

Superior Technology • Meticulous Craftsmanship • True Innovation

True Bypass. HardWire pedals modify your guitar tone only when you want. HardWire pedals add pure effects when they’re on and don’t add noise when they’re off—truly the best of both worlds. And if you happen to lose power to HardWire pedals in the middle of a performance, you can keep playing because HardWire pedals switch to True Bypass mode until power is restored.

Higher Voltage . HardWire pedals preserve guitar tone because they operate at a significantly higher voltage than your standard pedals. HardWire pedals get the most out of hot guitar pickups and perform flawlessly in the high voltage environment of an amplifier effects loop.

Constant Voltage. HardWire pedals guarantee constant effects performance throughout the life of the battery and prevent tone loss because they operate at a steady voltage—independent of decaying battery voltage.

Tourworthy. HardWire pedals are designed for the touring musician. Unique Stomplock™ guards prevent controls from being kicked and your tone from being changed. Each HardWire pedal includes custom-cut Velcro® pads to fasten it to a pedalboard and green gaffer tape for the actuator label and see the pedal in the most adverse stage lighting conditions.


Overview

SC-2 Valve Distortion turns up the heat. The SC-2 Valve Distortion gives you two types of harmonically charged distortion tones: Crunch and Saturated. The Crunch Mode gives you all the crunch you need with mids that cut through the drums while the Saturated Mode adds more gain and has less midrange for a slightly modified sound. As with all HardWire pedals, the SC-2 is crafted from premium all-metal components to perform night after night, tour after tour.


Features
  • 2 Modes of operation: Crunch and Saturated
    • Crunch Mode gives you plenty of gain with mids that cut through
    • Scoop Mode adds more gain and removes the mids for a modified ton
  • True Bypass circuitry preserves your tone in bypass
  • Constant high-voltage operation for tonal quality and noise reduction
  • HardWire Pedals include the following stage accessories
    • Stomplock™ knob guards lock your tone in place and prevent tampering or accidental knob adjustments onstage
    • Green gaffer tape helps you locate the pedal in adverse stage lighting, Custom-cut Velcro® pads attach and lock your pedals to your pedalboard.


Applications

Turn Your Clean Combo into a British Stack

Just one pedal is all it takes

1. Connect the HardWire SC-2 Valve Distortion after your wah pedal and before other pedals and then into the input of your amp.

2. Set controls to:
  • - Mode: Crunch
  • - Level: 12 o’clock
  • - Low: 3 o’clock
  • - High: 2 o’clock
  • - Gain: Max

3. Engage SC-2 as needed.


Drive Your Stack over the Edge

Add extra gain before your stack to create a thick wall of sound

1. Connect the HardWire SC-2 Valve Distortion after your wah pedal and before other pedals and then into the input of your amp.

2. Set controls to:
  • - Mode: Crunch
  • - Level: 12 o’clock
  • - Low: 12 o’clock
  • - High: 11 o’clock
  • - Gain: 3 o’clock

3. Adjust your amp’s gain and tone as desired. Turn your nice amp into a beast like the pros.


Other applications:

- Turn your clean combo into an American style high-gain amp by using the Saturated Mode.


Specifications

Inputs/Outputs
Instrument/Guitar Input: 1/4” Unbalanced (Tip-Sleeve)
Input Impedance: 1 MOhms
Output: ¼” Unbalanced (Tip-Sleeve)

Power
US and Canada: 120 VAC, 60 Hz Adapter: PS200R - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS200R - 100
Europe: 230 VAC, 50 Hz Adapter: PS200R - 230
UK: 240 VAC, 50 Hz Adapter: PS200R - 240
Power Input: 9 VDC
Power Consumption: 190mW
Battery Type: Single 9 VDC
Battery Life: 19 Hours

General
Dimensions: 4” Width x 5.5” Length x 2.6” Height
Weight: 1.3 lbs

Read more!...[x]

Saturday, January 3, 2009

Digitech - HardWire™ CM-2 Tube Overdrive

Digitech - HardWire™ CM-2 Tube OverdriveDigitech - HardWire™ CM-2 Tube Overdrive

Is an analog overdrive pedal from DigiTech, The HardWire™ CM-2 Tube Overdrive has 2 Modes of operation swtich Classic and Modified, Classic Mode offers transparent and responsive overdrive and Modified Mode adds more gain and more low end, has 4 dial Level, Gain, Low, and High tone controls.

The Classic mode produces a tonally transparent and articulate overdrive perfect for adding gain before a clean tube combo or driving a dirty tube head. The Modified setting produces more gain and gives the overdrive a fatter low end for a bluesier tone


True bypass
This pedal gives you rich tube overdrive tone when you switch on your pedal and completely true signal bypass when it's off, True Bypass is the only way to keep your tone exactly the way you want it between your guitar and amp.

High-voltage operation
The HardWire™ CM-2 Tube Overdrive operate at higher voltage than your standard pedals, pickups with high-output found in some electric guitars, it's not unusual to hear clipping when playing through an effects pedal. This occurs when the voltage range produced by a guitar's pickup is greater than the operating voltage of the effects pedal - normally limited to the voltage supplied by the effect's battery or power supply. HardWire pedals incorporate special circuitry that increases the operating voltage "headroom" above that of the typical pedal. As such, HardWire pedals are compatible with a wider range of guitars and are also at home in an amplifier's effects loop.

(click to enlarge images)
Digitech - HardWire™ CM-2 Tube OverdriveDigitech - HardWire™ CM-2 Tube Overdrive
Digitech - HardWire™ CM-2 Tube Overdrive Alternate ViewDigitech - HardWire™ CM-2 Tube Overdrive
Alternative view



***

Digitech - HardWire™ CM-2 Tube Overdrive

Superior Technology • Meticulous Craftsmanship • True Innovation

True Bypass. HardWire pedals modify your guitar tone only when you want. HardWire pedals add pure effects when they’re on and don’t add noise when they’re off—truly the best of both worlds. And if you happen to lose power to HardWire pedals in the middle of a performance, you can keep playing because HardWire pedals switch to True Bypass mode until power is restored.

Higher Voltage. HardWire pedals preserve guitar tone because they operate at a significantly higher voltage than your standard pedals. HardWire pedals get the most out of hot guitar pickups and perform flawlessly in the high voltage environment of an amplifier effects loop.

Constant Voltage. HardWire pedals guarantee constant effects performance throughout the life of the battery and prevent tone loss because they operate at a steady voltage—independent of decaying battery voltage.

Tourworthy. HardWire pedals are designed for the touring musician. Unique Stomplock™ guards prevent controls from being kicked and your tone from being changed. Each HardWire pedal includes custom-cut Velcro® pads to fasten it to a pedalboard and green gaffer tape for the actuator label and see the pedal in the most adverse stage lighting conditions.


Overview

CM-2 Tube Overdrive adds a new dimension to your tone. Overdrive is meant to be transparent and responsive to your touch and the CM-2 Tube Overdrive offers this with two modes of operation: Classic and Modified. Classic is transparent and articulate while Modified adds more gain and a “bigger” low end. As with all HardWire pedals, the CM-2 is crafted from premium all-metal components to perform night after night, tour after tour.


Features
  • 2 Modes of operation: Classic and Modified
    • Classic Mode offers transparent, responsive overdrive
    • Modified Mode adds more gain and more low end
  • True Bypass circuitry preserves your tone in bypass
  • Constant high-voltage operation for tonal quality and noise reduction
  • HardWire Pedals include the following stage accessories
    • Stomplock™ knob guards lock your tone in place and prevent tampering or accidental knob adjustments onstage
    • Green gaffer tape helps you locate the pedal in adverse stage lighting. Custom-cut Velcro® pads attach and lock your pedals to your pedalboard


Applications

Add Warm Gain to Clean Combo

Setup is simple and easy:

1. Connect the HardWire CM-2 Tube Overdrive pedal between your guitar and the input of your amp. The CM-2 can lead or follow other pedals in the effects chain.

2. Set controls to:
- Mode: Classic
- Level: 12 o’clock
- Low: 1 o’clock
- High: 2 o’clock
- Gain: 2 o’clock

3. Engage CM-2 as needed.


Drive a Distorted Tube Head for Heavier Sound

Drive your amp to a new dimension:

1. Connect the HardWire CM-2 Tube Overdrive pedal between your guitar and the input of your amp. The CM-2 can lead or follow other pedals in the effects chain.

2. Set controls to:
- Mode: Modified
- Level: 1 o’clock
- Low: 1 o’clock
- High: 12 o’clock
- Gain: Max

3. Adjust your amp’s gain and tone as desired. Turn your nice amp into a beast like the pros.


Other applications:
  • Drive other overdrive and distortion pedals to achieve even more gain
  • Add warmth to your guitar by adding a slight amount of gain


Specifications

Inputs/Outputs
  • Inputs: Separate Left and Right ¼” Unbalanced (Tip-Sleeve)
  • Input Impedance: 1 MOhms
  • Outputs: Separate Left and Right ¼” Unbalanced (Tip-Sleeve)

Power
  • US and Canada: 120 VAC, 60 Hz Adapter: PS200R - 120
  • Japan: 100 VAC, 50/60 Hz Adapter: PS200R - 100
  • Europe: 230 VAC, 50 Hz Adapter: PS200R - 230
  • UK: 240 VAC, 50 Hz Adapter: PS200R - 240
  • Power Input: 9 VDC
  • Power Consumption: 220mW
  • Battery Type: Single 9 VDC
  • Battery Life: 17 Hours

General
  • Dimensions: 4” Width x 5.5” Length x 2.6” Height
  • Weight: 1.3 lbs


Read more!...[x]

Thursday, January 1, 2009

DigiTech - JamMan™ Looper/Phrase Sampler

DigiTech - JamMan™ Looper/Phrase SamplerDigiTech - JamMan™
Looper/Phrase Sampler


The DigiTech JamMan Looper Pedal is a very nice looper pedal for your companion in practice, one-man band performances, writing and arrangement your tone. It let's you store your loops on a Flash card, very handy.


The JamMan comes with a 128 Megabyte memory card, which is good for 24 minutes of recording, but DigiTech has now upgrade JamMan™ Looper with a 1GB CompactFlash™ memory card, which you can store over three hours of loop time and storage. Popular for looping performances, the JamMan's "on the fly" recording adds new dimensions to "one man band" performances.

The JamMan features; 1/4" instrument input, balanced XLR input, and stereo 1/8" auxiliary input jacks. Guitars, bass, vocals and audio from MP3 players can be sampled, looped and overdubbed in one of 100 loop memories. Spice up your performance with audio clips, backing tracks or take it on the road as a one man performance.

you can get memory cards up to 2 GB, which lets you store 6.5 hours of audio. The JamMan stores the audio in high quality - 44.1 16k CD quality.

It is easy to record, playback, and overdub loops or single phrases with the JamMan. One thing that is really handy is the undo feature. You know how it's easy to make a mistake while recording something? Well, just press down a button on the JamMan and it removes the last recorded overdub. Very handy!

You can also preload the JamMan with your own loops. Just hook it up to your computer with a USB cable and transfer your favorite drum loops or backing tracks.

A looper pedal like the JamMan is great for practicing. You record a chord progression or bass line, and you can of course add more layers of chords or sounds if you want. Then you can practice scales or solo improvising. Great for getting better timing. The ability to jam with yourself for until morning comes if fantastic fun, and the JamMan (or any good looper pedal) may be most the useful stompbox you can possibly buy.

DigiTech - JamMan™ Looper/Phrase Sampler Top Panel
DigiTech - JamMan™ Looper/Phrase Sampler Back Panel
DigiTech - JamMan™ Looper/Phrase Sampler Alternative view
DigiTech - JamMan™ Looper/Phrase Sampler Alternative view



***


DigiTech - JamMan™
Looper/Phrase Sampler


The legend continues. When we invented the PDS8000 pedal almost twenty years ago, it stored eight seconds of audio. Now we’ve reinvented it using removable CompactFlash™ memory to store up to 6.5 hours*! A wide range of features combined with ease of use make the DigiTech® JamMan® the perfect looper/phrase sampler for practicing, composing, and performing. The JamMan opens up new horizons to your musical explorations. Whether you’re performing alone and building many parts to develop a song or play in a full band, the possibilities are endless!

*With optional 2GB card


Features
  • Save up to 99 independent loops at one time
  • Store over 24 minutes of looping time on the included CompactFlash card
  • Upgrade to a 2GB card to store up to 6.5 hours of audio!
  • Connect to your computer via USB and never lose another loop ever again!
  • Record rhythm loops and solo over them on the fly, completely Hands-Free™
  • Load up the JamMan with bass lines, drums, harmonies, and more; create an entire backup band
  • Slow down or speed up any song without changing pitch to master that tricky riff

Configuration
Electric/Acoustic Guitar with Pedals or Vocals


JamMan ConfigurationDigiTech - JamMan™ Looper/Phrase Sampler Configuration
(Click images to enlarge)



Looper Modes

Instrument or Vocal Looping

Simple and easy:

  1. Select an empty memory location. Select INST/MIC as the recording mode using the RECORD MODE button.
  2. Press the REC/PLAY/OVERDUB footswitch to start recording.
  3. When you are finished, press either the REC/PLAY/OVERDUB footswitch to have the phrase play back in a repeating loop or press the STOP/TEMPO footswitch to stop recording.
Recording with the Aux Input

Want to play along with pre-recorded material or spice up your set with sounds from soundtracks or samples?

  1. Select an empty memory.
  2. Press the RECORD MODE button repeatedly to and choose the one that lights the AUX INPUT LED.
  3. Press the REC/PLAY/OVERDUB footswitch to start recording.
  4. When you are finished, press the STOP/TEMPO footswitch to stop recording.
  5. Press play to hear your recorded material.

Digital Delay Layers

Play into the layers:

  1. Connect the HardWire DL-8 Delay/Looper pedal before your amp or in your amps effects loop.
  2. Set controls to:
    • - Level: 12 o’clock
    • - Repeats: 12 o’clock
    • - Time: 9 o’clock
    • - Mode: 1 Second
  3. Play into the delay for layered tones. For more layers, turn up the Repeats to 3 o’clock.

Solo Act Looper

Laying down loops is quick and easy:

  1. Connect the HardWire DL-8 Delay/Looper pedal before your amp or in your amps effects loop.
  2. Set controls to:
    • - Level: 12 o’clock
    • - Repeats: Minimum
    • - Time: 9 o’clock (adjust as needed)
    • - Mode: Loop
  3. Hold down the foot pedal until the LED indicator turns red and play your loop. Release the foot pedal when done.
  4. LED indicator turns green, loop automatically plays.
  5. To add more layers, repeat step 3.


Specifications

Digital
A/D/A Converters: 24-bit audio
Sampling Frequency: 44.1 kHz
USB
Type: USB 1.1 Full Speed, supports USB 2.0
Protocol: Mass Storage
Connector: Type B

Memory
CompactFlashTM: Type I solid state only (Type II cards or IBM/Hitachi Microdrives™ not supported)
Size: 8 MB to 2 GB
Capacity: 1 minute per 5.29 MB, 99 loops per card
File Format: FAT16 only
Audio Format: Uncompressed .wav 44.1 kHz 16 bit mono

Inputs/Outputs
Instrument/Guitar Input: 1/4” Unbalanced (Tip-Sleeve)
Input Impedance: 1 MOhms
Maximum Input Level: 11 dBu
Microphone Input: XLR Balanced (Female XLR, pin 2 Hot), not powered
Input Impedance: 600 Ohms balanced
Maximum Input Level: -7.5 dBu
Auxiliary Input: 1/8” Stereo (Tip-Ring-Sleeve), sums to mono
Input Impedance: 20 kOhms
Maximum Input Level: 0 dBu
Footswitch: 1/4” jack (Tip-Ring-Sleeve)
compatible with optional FS3X
Line/Headphone Output: 1/4” Mono (Tip-Ring-Sleeve)
Stereo headphone compatible with 50 Ohms
minimum impedance, driven by mono signal
Output Impedance: 100 Ohms
Maximum Output Level: 10 dBu

Power
US and Canada: 1 20 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Power Input: 9 VAC 1.3 A
Power Consumption: 7 Watts

General
Dimensions: 6.7” Width x 5.6” Length x 2.6” Height
Weight: 2.88 lbs

Specifications are subject to change without notice.

Read more!...[x]

DigiTech - FS3X Foot Controller

DigiTech - FS3X Foot ControllerDigiTech FS3X Foot Controller
OPTIONAL FOOTSWITCH FOR JIMI HENDRIX AND JAMMAN PEDALS:
ADDITIONAL HANDS-FREE CONTROL WITH NEW FS3X FOOTSWITCH

FS3X footswitch for additional hands-free control of the Digitech Jimi Hendrix Experience Pedal and Jamman Looper pedal. the optional FS3X footswitch gives you hands-free access to each of the Jimi Hendrix Experience’s different models and lets you switch between heel and toe modes in each. Connected to a Jamman Looper/Phrase Recorder the FS3X footswitch provides hands-free scrolling through loops and remote Auto Record mode.


The DigiTech FS3X is a welcomed addition to several DigiTech products; The Jimi Hendrix Experience™, The JamMan® and Expression Factory™ to name a few. The FS3X provides increased functionality and convenient Hands-free™ control over UP/DOWN selection of Models, Mode changes, Loop selection, auto START/STOPS and arms auto record where applicable. Compact and portable its small foot-print takes very little space on stage or in your gig bag. Durable 3 button metal chassis construction. A ’10 stereo TRS cable is included with each unit. GET THE MOST OUT OF YOUR DIGITECH PRODUCTS WHILE PERFORMING OR PRACTICING

DigiTech - FS3X Foot Controller another viewAnother view

Read more!...[x]

DigiTech - RP1000

DigiTech RP1000 Top PanelDigiTech RP1000 Integrated Effect Switching System

If you've confused which effect to use to equiped your guitar and trying to decide between your beloved collection of vintage stompboxes and the convenience and portability of a multi-effect pedal, the DigiTech RP1000 is the answer of your headache, DigiTech has the perfect compromise. The new DIgiTech RP1000 is a multi-effect pedalboard that takes the same DSP-architecture and construction design of the rest of the RP-series, and adds an integrated, external effects-loop switching option, meaning you can not only still use your old effects, but you now have even more control over them.


The DigiTech RP1000 is uniter all of your old stompbox and not only does the RP1000 integrate with your existing effects setup with ease, but it also stays out of the way of your amp's tone. A simple "Amp/Cabinet" bypass switch turns the RP1000's speaker simulations off with a single switch, allowing your amp to do the work. I mean, your amp is already there, right? Why bother bringing it to the gig and have it sit on the sidelines? This isn't the NFL, for cryin' out loud.

If this features waren't enough, the RP1000 also features a "full-time" phrase looper. By adding the standard DigiTech FS3X footswitch, you can have dedicated controls for the RP1000's phrase looper like it was a separate pedal -- which is sorta exemplary of the RP1000's whole design philosophy: why add effects if you can't access them easily? It's the same reason that buttons 6-10 on the RP1000 can be used to access individual effects within a preset.

Of course, there's still the die-cast metal housing, the rugged metal switches, the durable expression pedal and DigiTech quality effects that you'd expect from the RP-series floorboards, the RP1000 represents not only the change you need, it's also the change you don't have to fear.

A 20-second phrase looper allows the user to easily record, and overdub tracks for one-man band performances, writing and practicing. Control of the full-time phrase looper can be expanded with DigiTech's optional FS3X optional foot controller.


***

DigiTech RP1000 Integrated Effect Switching System

Your sound is king. The control of your sound is imperative. The RP1000 gives you added control to express yourself the way you want – No longer will the lack of control stand in the way of your expression

Your rig. The RP1000 integrates into your amp and with your stompboxes, not the other way around. Featuring exclusive Stompbox and Amp loops, the RP1000 doesn’t get in the way of your tone and switches external stompboxes in and out of the signal path like large pro rigs. No longer will you have to do the pedal tap dance, just select your preset and your tone is engaged, just the way you like it.

Your Amp. In conjunction with the external Amp Loop, the RP1000 also features an Amp/Cabinet bypass switch that allows you to turn off the RP1000’s internal amplifiers and cabinets so your amp’s tone stands alone.

Simplicity of a Stompbox. Popular on the RP500, the RP1000 also features the Pedalboard option that turns footswitches 6 through 10 into stompbox style effect on/off controls.

100 Different Pedalboards. When the Amp/Cabinet Bypass is used in conjunction with the Pedalboard mode, the RP1000 turns into 100 different pedalboards. You get instant access to both preset changes and stompbox on/off control, truly the best of both worlds.

Phrase Looper. The RP1000’s built-in Phrase Looper lets you create on the fly performance loops for practicing, composing, and performing. With 20 seconds of record time and controls for Stop, Play, and Overdub, you can layer different guitar parts and tones seamlessly into cool song ideas or one-man jams.

The RP1000 is built like a tank from a cast metal chassis to the 14 heavy-duty switches. A large 10 character LED display makes for easy stage use topped by an built-in expression pedal to control wahs, volume, Whammy™ and other parameters.

No matter how you get your tone, the RP1000 works with your gear and gives you the control you need when playing live.


DigiTech RP1000 Top Panel
RP1000 Top Panel

DigiTech RP1000 Back PanelRP1000 Back Panel
(Click to enlarge images)



Features

  • Effect switching system offers control over external & internal stompboxes and effects
  • Exclusive Pedalboard Mode provides on/off and real-time control to any five RP1000 effects or parameters
  • Amp/Cabinet Bypass defeats internal amplifiers and cabinets in all presets
  • Built-in Phrase Looper
  • Built-in expression pedal controls the RP1000’s Whammy™, wahs, volume, and other parameters
  • Built-in chromatic Tuner
  • Switchable Stompbox Loop for effects switcher control of external stompboxes and effects
  • Switchable Amp Loop to retain your amp’s tone
  • 40 Tone and 40 Effects Libraries
  • 200 presets (100 factory, 100 user)
  • Over 160 effects including stompboxes, choruses, delays, amps and cabinets
  • Up to 5 seconds of delay time
  • 24-bit 44.1kHz sample rate
  • All metal construction
  • Heavy-duty metal switches for stompbox response
  • Bright LEDs display program status and effect on / off
  • Large 10 character LED display for preset name, bank name and tuner
  • Independent 1/4" Left and Right Outputs
  • Independent XLR Left and Right Outputs with ground lift
  • Amp / Mixer switch optimizes 1/4" outputs for amp or direct to mixer connections
  • Stereo 1/8" headphone output
  • Cubase LE4 Music Production Software included
  • Downloadable X-Edit Librarian Software
  • 2 x 2 USB audio streaming
  • Power supply included

Effects
Effects based on:

Wahs:
DigiTech® Wah
Dunlop® Cry Baby™ Wah
Vox® Clyde McCoy™ Wah

Compressors:
Boss® CS-2 Compressor/Sustainer
DigiTech® Compressor
MXR® Dynacomp™
Noise Gate:
DigiTech® Silencer™ Noise Gate
DigiTech® Auto Swell Gate

EQ:
3-band semi-parametric EQ

Chorus Stompbox Models:
Boss® CE-2 Chorus
DigiTech® Dual Chorus
DigiTech® Glistening Chorus
DigiTech® Multi-Chorus
Electro Harmonix® Small Clone
TC Electronics® Chorus
Voodoo Labs Analog Chorus

Flanger:
ADA™ Flanger
DigiTech® Flanger
DigiTech® Filter Flanger
DigiTech® Triggered Flanger
Electro Harmonix® Electric Mistress™
MXR® Flanger

Pitch:
Boss® OC-2 Octaver™
DigiTech® Detune
DigiTech® Harmony Pitch
DigiTech® Pitch Shift
DigiTech® Whammy™
Vibrato / Rotary:
DigiTech® Rotary
DigiTech® Vibrato
DigiTech® Vibro / Pan
Unicord Uni-Vibe™

Tremolo:
DigiTech® Panner
DigiTech® Tremolo
DigiTech® ScatterTrem – Dual tremolo effect
Fender® Opto Tremolo™
Vox® Bias Tremolo

Envelope / Special:
DigiTech® Envelope Filter
DigiTech® Auto Yah™
DigiTech® Sample & Hold
DigiTech® Step Filter
DigiTech® Synth Talk™
DigiTech® YaYa™
DOD® FX25 Envelope Filter

Delays:
Analog Delay
Boss® DM2 Analog Delay
Digital Delay
Lo Fi Delay
Maestro EP-2 Tube Echoplex
Modulated Delay
Pong Delay
Reverse Delay
Tape Delay
2-Tap Delay

Reverbs:
EMT® 240 Plate Reverb
Lexicon® Ambience
Lexicon® Hall
Lexicon® Room
Lexicon® Studio
Spring based on a Fender® Twin Reverb™


Amps
Amps based on:

’99 Carvin® Legacy VL-100
DigiTech® Blackbass – ’65 Blackface preamp w/ Bassman poweramp
DigiTech® Blues
DigiTech® Bright Clean
DigiTech® Brownsound - Hot rodded 80’s stack tone
DigiTech® Chunk
DigiTech® Clean Tube
DigiTech® Crunch
DigiTech® Darkmetal – Responsive, tight metal tone
DigiTech® Fuzz
DigiTech® GSP2101TM Artist Clean Tube
DigiTech® GSP2101 Artist Saturated Tube
DigiTech® High Gain
DigiTech® Metal
DigiTec®h Monster - Maxed out gain
DigiTech® Mosh – Chunky metal tone with just the right amount of sizzle
DigiTech® Solo
DigiTech® Spank
DigiTech® Stonerrock – Thick, sludgy distorted amp tone
DigiTech® Transistor – Solid state transistor amp sound
DigiTech® Tweedface – Tweed preamp w/Blackface poweramp
'57 Fender® Tweed Champ®
'57 Fender® Tweed Deluxe™
'59 Fender® Tweed Bassman®
'62 Fender® Brownface Bassman®
'65 Fender® Blackface Twin Reverb®
'65 Fender® Blackface Deluxe Reverb®
’59 Gibson® GA-40
'69 Hiwatt® Custom 100 DR103
’69 Laney™ Supergroup
'65 Marshall® JTM-45
'68 Marshall® 100 Watt Super Lead (plexi)
'68 Marshall® Jump Panel
'77 Marshall® Master Volume
'83 Marshall® JCM800
'93 Marshall® JCM900
'01 Marshall® JCM2000 (Solo Channel)
'81 Mesa Boogie® Mark II C
’86 Mesa Boogie® .22 Caliber
'93 Mesa Boogie® Mark IV
'01 Mesa Boogie® Dual Rectifier
'01 Mesa Boogie® Triple Rectifier
’95 Matchless™ Chieftain
'96 Matchless™ HC30
’74 Orange™ OR 120
’99 Peavey® 5150® II
’88 Randall® HT-100
’84 Roland® JC-120
'88 Soldano SLO-100
’67 Sunn® 100S
'62 Vox® AC15
'63 Vox® AC30 Top Boost
Direct – No amp model
Dreadnaught Acoustic
Jumbo Acoustic


Specifications


General Specifications

Chassis: Durable cast metal construction
Display: Large 8 character alpha-numeric and 2 character numeric LED display
A/D Converter: 24-bit high performance audio
D/A Converter: 24-bit high performance audio
Sampling Frequency: 44.1kHz throughout
DSP Section: 1 Audio DNA2™ DSP Processor
Preset Memory: 100 User / 100 Factory Presets


Controls

Footswitches: 14 heavy duty vacuum-style switches control Tap Tempo, Stompbox Bank up/down, Program select, and Effect on/off. Footswitches also access Tuner, Bypass, and Phrase Looper functions.
Expression pedal: Built-in


Analog Input Connections

Guitar input:
Impedance: 1M Ohms
Maximum Input signal: 12 dBu

Stompbox Loop input:
Impedance: 16K Ohms
Maximum Input signal: 12 dBu

Amp Loop input:
Impedance: 16K Ohms
Maximum Input signal: 12 dBu


Analog Output Connections

Line outputs:
Impedance: 1K Ohms unbalanced / 2K Ohms balanced
Maximum Output level: 22 dBu

XLR Mixer Outputs:
Impedance: 2k Ohms balanced
Maximum Output Level: 22 dBu

Stompbox Loop output:
Impedance: 600 Ohms
Maximum Output signal: 12 dBu

Amp Loop output:
Impedance: 600 Ohms
Maximum Output signal: 12 dBu

Headphone Outputs:
Minimum Headphone Impedance: 50 Ohms
Electronic SNR: ≥ 110dB
USB: 2.0 compliant
Audio streaming: 2 channels to computer, 2 channels from computer
Sample rate: 44.1 kHz


External Control Input

Looper Footswitch Input: for use with optinal DigiTech FS3X


Size/Dimensions

Unit Dimensions: 19.5” x 2.25” x 8.75” (W x H x D)
Shipping Dimensions: 25” x 7” x 15” (W x H x D) (approximate)
Shipping Weight: 8.0 lbs (approximate)


Windows Software Requirements
  • Vista Home/Premium, XP Home/Professional (SP2 installed, .NET 2.0 installed*)
  • Pentium®/Athlon™ 1.4GHz or later
  • 512MB RAM (1GB RAM recommended)
  • 180MB hard disk space for application
  • DVD-ROM drive
  • USB Port
  • Internet connection required for Cubase activation
*.NET 2.0 will be installed during installation of X-Edit software if required on XP systems



Mac Software Requirements
  • OS 10.4.x or later
  • PowerPC G4/G5 1GHz or later
  • 512MB RAM (1GB RAM recommended)
  • 180MB hard disk space for application
  • DVD-ROM drive
  • USB Port
  • Internet connection required for Cubase activation


Versatility

Your Gear, Your Tone. The RP1000 is designed to be used with external amps & stompboxes. The combination of the RP1000’s Stompbox Loop, Amp Loop and Amp/Cabinet Bypass feature allows the RP1000 to integrate into your rig and not the other way around.

Integrated Effects Switching System. Like large, professional switching systems that cost thousands of dollars, the RP1000 switches external gear with ease and eliminates the pedal “tap dance” so you can concentrate on playing and performing.

Click for larger image:

RP1000 Setup Diagram
Distortions
Distortions based on:

Arbiter® Fuzz Face™
Boss® DS-1™ Distortion
Boss® MT-2 Metal Zone®
Boss® OD-1 Overdrive
Boss® SD-1 Overdrive
Demeter Fuzzulator
DigiTech® Amp Driver
DigiTech® Death Metal™
DigiTech® Grunge®
DigiTech® Redline Modified Overdrive
DOD® 250 Overdrive/Preamp
DOD® Classic Fuzz
DOD® Gonkulator Ring Modulator
Electro-Harmonix® Big Muff Pi®
Fulltone® OCD Overdrive
Guyatone® Overdrive OD-2
Ibanez® TS-9 Tube Screamer
Ibanez® TS-808 Tube Screamer
Modified Ibanez® TS-9
MXR® Distortion +
Pro Co RAT™
Roger Mayer Octavia™
Voodoo® Lab Sparkle Drive®


Cabinets
Cab Models based on:

1x8 '57 Fender® Tweed Champ®
1x12 '57 Fender® Tweed Deluxe®
1x12 '65 Fender® Blackface Deluxe Reverb
1x12 '62 Vox® AC15 w/20W Vox Speaker
1x12 '59 Gibson® GA-40
2x12 DigiTech® Bright
2x12 '57 Fender® Blonde Bassman®
2x12 '65 Fender® Blackface Twin Reverb®
2x12 '63 Vox® AC30 Top Boost w/ Jensen® Blue Backs
2x12 '84 Roland® Jazz Chorus
2x15 ’68 Sunn 200S w/JBL-Lansings
4x10 '59 Fender® Tweed Bassman®
4x12 DigiTech® Alt Rock
4x12 DigiTech® Chunk
4x12 DigiTech® Metal
4x12 DigiTech® Rock
4x12 DigiTech® Solo
4x12 DigiTech® Spank
4x12 DigiTech® Speaker Compensation
4x12 DigiTech® Vintage
4x12 Hiwatt® Custom w/ Fane Speakers
4x12 Johnson® Straight w/ Celestion Vintage 30’s
4x12 Marshall® 1969 Straight w/ Celestion®
G12-T70
4x12 '07 Mesa/Boogie® w/Celestion® Vintage 30™ speakers
4x12 Marshall® 1969 Slant w/ Celestion 25W Green backs
4x12 '96 VHT® Slant w/ Celestion Vintage 30’s
Direct - No cabinet model



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